Marcaccio, Fabian
FABIAN MARCACCIO
Born 1963 Rosario, Santa Fe, Argentina.
Education University of Philosophy, Rosario, Santa Fe Argentina
LIVES AND WORKS IN NEW YORK.
SOLO EXHIBITIONS
2011 Pinta London, Featured Artist, Galerie Thomas Schulte, London, England
“Corpse: Variant Paintants” Galerie Schmidt MacZollek, Cologne, Germany
Bernhard Heiliger Award for Sculpture Exhibition, George Kolbe Museum, Berlin, Germany
2010 “Megan: Variant Paintants” Galeria Joan Prats, Barcelona, Spain
“Conjecto Mexico Paintant” SAPS, Sala Arte Publico Sigueiros, Mexico City, Mexico
2009 “Analytical Rage-Paintants,” Galerie Thomas Schulte, Germany
2008 “Draftants,” Galerie Schmidt Maczollek, Koln, Germany
2007 BravinLee programs, New York City, NY, USA
Ruth Benzacar, Galeria de Arte, Buenos Aires, Argentina
Fabian Marcaccio, Galeria Joan Prats, Barcelona, Spain
2006 “Especial,” Galerie Maczollek, Cologne, Germany
“Private Contractor and New Paintants,” Kevin Bruk Gallery, Miami, FL, USA
2005 “U.N-Paintant,” Galerie Thomas Schulte, Berlin
“Paintant Stories,” DAROS Exhibitions, Zurich, Switzerland
“Paintant Archeology” FRAC Auvergne, Clermont-Ferrand, France
“From Altered Paintings to Paintants,” Domus Artium 2002, Salamanca, Spain
“Ezeiza-Paintant,” MALBA Museo de Arte Latinoamericano de Buenos Aires, Argentina
2004 “Jours noirs,” Galerie Thaddeaus Ropac, Paris, France
“Permanent State of Exemption,” Galerie Rolf Ricke, Cologne, Germany
“From Altered Paintings to Paintants,” Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
“Miami Paintant,” MAM Miami Art Museum, Miami
2003 “De-Realized Painting”, Emmapassage, Tilburg, Netherlands
2002 “Janeila’s 5 Moves”, Gorney Bravin + Lee, New York, NY
“Summer Projects 2002”, P.S.1 Contemporary Art Center, New York, NY
“Paintants”, Galeria Joan Prats, Barcelona, Spain
2001 Galerie Thaddeus Ropac, Salzburg, Austria.(Two-person show with Peter Halley)
“Sam Gordon / Fabian Marcaccio”, Kevin Bruk Gallery, Miami, FL
Greg Lynn/Fabian Marcaccio, “Predator”, Wexner Center for the Arts, Columbus, OH: University of California, Irvine, CA
2000 “Paintant Stories“, Cologne Kunstverein, Cologne, Germany; Stuttgart Kunstverein, Stuttgart,Germany 1999
“Greg Lynn/Fabian Marcaccio, The Tingler ", Secession Building, Vienna, Austria
“Time-Paintants” Gorney Bravin + Lee Gallery, New York, NY
“Early Works”, The Consulate General of Argentina, New York, NY
“Paintant Story”, Galerie Rob Jurka, Amsterdam, The Netherlands
1998 “Fabian Marcaccio – Jessica Stockholder”, Sammlung Goetz, Munich, Germany
“Fabian Marcaccio – Jessica Stockholder, Works on Paper”, Inc., Los Angeles, CA
“With-ject Spain”, Joan Prats Gallery, Barcelona, Spain
“Paintant Compounds”, Galerie Rolf Ricke, Cologne, Germany
“Con-jecto Argentina”, Galeria Ruth Benzacar, Buenos Aires, Argentina
1997 “Paintants”, Baumgartener Gallery, Washington, D.C.
“Paintants #2”, Schmidt Contemporary Art, St. Louis, MO
1996 “Conjectural Amendments”Bravin Post Lee Gallery, Expoarte, Guadalajara, Mexico
Galerie Barbara Farber, Amsterdam, The Netherlands
Galeria Camargo Vilaca, Sao Paulo, Brazil
1995 “Paint-Zone”, Bravin Post Lee Gallery, New York, NY
“Paint-Zone L.A.”, Louver Gallery, Los Angeles, CA
“Use of Evidence”, Contemporary Art Museum U.S.F. Tampa, FL (two person)
1994 “On Unpaintables”,Thaddeus Ropac Gallery, Paris, France
“New Paint Management”, Galerie Rolf Ricke, Cologne, Germany
“The Altered Genetics of Painting”New York, NY
“Mutual Betrayal”, Barbara Farber Gallery, Amsterdam, The Netherlands
“Unpaintables”, Anders Tornberg Gallery, Lund, Sweden
1992 John Post Lee Gallery, New York, NY (two person)
“Inter-Painting”, Jason Rubell Gallery, Palm Beach, Fl
GROUP EXHIBITIONS
2011 “MMK 1991-2011: 20 Years of Contemporary” MMK, Frankfurt, Germany.
“The End of History and the Return of History Painting” Curated by Paco Barragan ,DA2, Salamanca, Spain.
Group Show, BravinLee Projects, New York, NY
“Off Modern,” curated by Sandra Antelo-Suarez and Sara Meltzer, 23 High Line, New York, NY
“Radical Shift. Political and Social Upheaval in Argentinian Art since the 1960s,” Museum Morsbroich, Leverkusen, Germany
“When a Painting Moves…Something Must Be Rotten” curated by Paco Barragan, Stenersen Museet, Oslo, Norway, Freedom Tower, Miami Dade College Art Gallery, Miami.
2009 “Slow Paintings, ” Museum Morsbroich, Leverkusen, Germany
"The Big exploration, ” Im Tal - Stiftung Wortelkamp, Hasselbach, Germany
“Slough, ” curated by Steve DiBenedetto, David Nolan Gallery, New York, NY.
“Cuando una pintura se mueve...“ Museo de Arte de Puerto Rico, Santurce, Puerto Rico
2008 You & me, Sometimes, Lehmann Maupin, New York, USA
2007 “puntos de vista,” Kunstmuseum Bochum, Germany
“Das Kapital - Bluechips and Masterpieces” / Sammlung Rolf Ricke, MMK/Museum für Moderne Kunst, Frankfurt, Germany
“Le Syndrome de Babylone,” Le Frac Auvergne, Clermont Ferrand, France
Biennale Sevilla, Spain, Galleri S.E, Bergen, Norway
2006 “Big Juicy Paintings” Miami Art Museum, Miami, FL, USA
“Transformation,” Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
“Studio in the park,” Riverside Park, New York, NY, USA
“Broken Surface,” Galerie Sabine Knust, Munich, Germany
2005 “Yankee love and Latin Doodle”, Galerie Thomas Schulte, Berlin, Germany
“What´s New Pussycat?,” Museum für Moderne Kunst, Frankfurt am Main, Germany
“Sweet Temptations – Dialoge mit der Sammlung Rolf Fricke”, Kunstmuseum St. Gallen, Switzerland
“Swing Space – Performance Space”, Performance and Installation, Weston Hall, Toronto
“Goya and Here Comes The Bogey-Man”, Chelsea Art Museum, New York, NY (June-Sept 2005)
“Baroque and Neobaroque. The Hell of the Beautiful”, Domus Artium 2002, Centro de Arte de Salamanca, Spain (Oct 2005-Jan 2006)
“Tri Repetae”, FRAC Auvergne, Ecole des Beaux-Arts de Saint-Etienne, France
“L’Art de la Fugue”, FRAC Auvergne, Montluon, France
“Le syndrome de Babylone”, FRAC Auvergne, Centre d’Art Contemporain de la Villa du Parc, Annemasse, France
2004 “Surface Tension”, Chelsea Art Museum, New York, NY
“Future Noir”, Galerie Gorney Bravin + Lee, New York, NY
“Before And After Science”, Marella Arte Contemporanea, Milan, Italy; (19 Feb. – 5 April)
“The Triennial for Art by the Sea, Seascape in Confrontation”, Beaufort 2003, Oostende, Belgium (April – Sept)
“Painting’s Edge 2003”, Parks Exhibition Center, Idyllwilds Arts, Idyllwilds, CA
“Schokolade, was denn sonst - Sammlung Rolf Ricke”, Kunstraum Innsbruck (Apr-June)
“8. Biennale Havanna 2003”, Havanna (Nov-Dec)
“Nine Little Giants”, Galerie Thomas Schulte, Berlin
“Intricacy, A Project by Greg Lynn”, Institute of Contemporary Art, Philadelphia, PA (18 Jan. – 6 April); Yale University, New Haven (2 Sept-7 Nov)
“La Langue dans la Boue”, FRAC Auvergne, Musée des Arts Textiles, Clermont-Ferrand, France
“Cinéma(s)”, FRAC Auvergne, Dompierre sur Besbre, France
2002 “Attack: Attraction, Photography – Painting”, Marcel Sitcoske Gallery, San Francisco, CA; 5 Dec.- 31.Jan.
“Unexpected Selections from the Martin Z. Margulies Collection: Art from 1985 to the present” Florida University, Miami, FL; (20 Sept.-8 December)
“Summarize / Summer Eyes: Unique Works”, Jan Weiner Gallery, Kansas City, MO; (5 Jul.-31 Aug.)
Documenta 11 “Multiple-Site-Paintant”, Kassel, Germany; (8 June - 15 September)
“Einfach Kunst, Sammlung Rolf Ricke”, Neues Museum, Nürnberg, Germany; (6 June-25 August)
“Choose Your Partner”, Nusser & Baumgart Contemporary, Munich
2001 “Rotativa”, Galeria Fortes Vilaça, Sao Paulo, Brasil; (7 Dec. 2001-18 January 2002)
“The Beauty of Intimacy: Lens and Paper”, Kunstraum Innsbruck, Innsbruck, Austria; (24 Nov–12 Jan)
7th International Istanbul Biennial, Istanbul, Turkey (21 September - 17 October)
“Geometrie & Gestus”, Galerie Thaddeus Ropac, Salzburg, Austria; curated by Nicolas Ruzicska (22 Jul.-31 Aug.)
“Hybrids”, Liverpool Tate, Liverpool, UK; (6 April - 24 June)
“Transpolyblue”, Smith Contemporary Art, St.-Louis, MO
“Secretation”, Jacob Karpio Gallery, San Jose, Costa Rica
“Trans>arts.cultures.media presents Trans>editions”, Chac Mool Gallery, West Hollywood, CA; (30 Mar-17 Apr)
“The Beauty of Intimacy”, Gemeentemuseum, The Hague, The Netherlands (catalogue)
2000 “Snapshot”, Contemporary Museum, Baltimore, MD (2 Nov.- 14 Jan.)
“Unlimited Space”, Les Filles du Calvaire, Paris, France, curated by Catherine Perret
“Flux et transparencies”, Les Filles du Calvaire, Paris, France, curated by Christine Buci-
Glucksmann and Catherine Perret
“Lasker, Marcaccio, Uslé”, Marcel Sitkoske Gallery, San Francisco, CA
“Movin' on Up”, Andrew Mummery Gallery, London, England
“Good Business is the Best Art”, Bronx Museum of the Arts, The Bronx, NY
“Working Digitally”, Atrium Gallery, University of Connecticut, Stanford, CT, curated by Saul Ostrow
“Super-Abstraction”, The Box, Naples, Italy, curated by Andrea Busto
“Universal Abstraction 2000”, Jan Weiner Gallery, Kansas City, MI
“bit_by_bit: painting & digital culture Voxpopuli”, Numark Gallery, Washington,D.C., Philadelphia, PA
“Six Abstract Artists at the Millenium”, David Dorsky Gallery, New York, NY; (brochure)
Hosfelt Gallery, San Francisco, CA; New Work: Abstract Painting (4 Jan. – 19 Feb.)
1999 “Painting Language”, L.A Louver, Los Angeles, CA, (2 Dec. 1999 – 8 January, 2000)
Warren Robbins Gallery, School of Art & design, University of Michigan, Ann Arbor, MI;
“Gesture and Contemporary Painting,” curated by Brian Stechschulte and Mike Underwood
“Macro-Micro” Jack S. Blanton Museum of Art, Austin, Texas:
“Abstract: Eine Definition Abstrakter Kunst and der Schwelle des Milleniums”, Galerie Thaddaeus Ropac, Salzburg, Austria
“Unprivileged Space”, Boras Konstmuseum, Bildmuseet, Umew and Edsvik Konst och Kultur Sollentuna, Sweden, curated by Elizabeth Haglund
1998 “Sick of Photography: A Painting Show”, Santa Barabara Museum, Santa Barbara, CA, curated by Michael Darling
Schmidt Contemporary Art, St. Louis, MO
"The Forty-Fifth Biennial", Curated by Terrie Sultan, Corcoran Gallery of Art, Washington D.C
“Abstract Painting Once Removed”, Contemporary Arts Museum, Houston, TX, and Kemper Museum of Contemporary Art, Kansas City, MO, curated by Dana Friis-Hansen
“Spectacular Optical”, Thread Waxing Space, New York, NY and Museum of Contemporary Art, North Miami, Fl, curated by Lia Gangitano
“Jahresgaben”, Kolnischer Kunstverein, Cologne, Germany
“Fabián Marcaccio – Jessica Stockholder”, Sammlung Goetz, Munich
1997 “New York Abstraction”, Macdonald Stewart Art Centre, Ontario, Canada, curated By David Moos
“Ca-Ca Poo-Poo”, Kolnischer Kunstverein, Cologne, Germany, curated by Udo Kittelmann.(cat.)
“Grito”, Museum Nacional de Bellas Artes, Rio de Janeiro, Brazil
“Pintura”, Galeria Joan Prats, Barcelona, Spain
Galeria Marta Cervera, Madrid, Spain
“After the Fall”, Snug Harbor Cultural Center, Staten Island, New York, NY, curated By Lilly Wei (cat.)
“Technological Drift”, Lawing Gallery, Houston, TX
“Premilenial Tension”, Marella Arte Contemporanea, Sarnico, Italy
Royal Botanic Museum, Edinburgh, UK , travelling to The Edwin A. Ulrich
“Theories of the Decorative”, Museum of Art, Wichita, KS, curated by David Moos.(cat.)
“New York”, Galleri F 15, JelØy, Norway, curated by Barry Schwabsky,(cat.)
“Wetterleuchten”, Galerie Evelyne Canus, France, curated by Gunter Umberg
“,Transonic", Trans Magacine, Caracas, Venezuela
“In-Form”, Bravin Post Lee Gallery, New York, NY
“De Visiones Y De Ritmos”, Centro Cultural Parque Espana, Rosario, Argentina, curated by Eleonora Traficante, (cat.)
“Antlitz”, Galerie Thaddaeus Ropac, Salzburg, Austria, curated By Nikolaus Ruzicska. (cat.).
“Face-à-Face”, Galerie Thaddeus Ropac, Paris, France (cat.)
“Relations between Contemporary Architecture and Painting”, Kunstlerhaus Palais Thurn und Taxis, Bregenz, Austria, Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser / Nanako Umemoto
“Vertical Painting”, P.S.1 Contemporary Art Center, Long Island City, New York, NY
“Stepping Up”, Andrew Mummery Gallery, London, UK
1996 “Camargo Vilaca BIS”, Studio Segall, Sao Paulo, Brazil
“Photographism”, Pratt Manhattan Gallery, New York, NY, curated by Eleanor Moretta
Forum For Contemporary Art, St. Louis, MO, curated by Martin Ball.(cat.)
“New Abstract Practices”, The List Center at M.I.T., Cambridge, MA, curated by Helaine Posner (cat.)
“Transformal”, The Wiener Secession, Vienna Austria, curated by Maia Damianovic.(cat)
“Works on Paper” Galerie Rolf Ricke, Cologne, GermanyGalerie Thaddeus Ropac, Paris, France: Pratiques abstraites (book)
“Bare Bones”, T'Zart, New York, NY, curated by Nina Yankowitz
“Painting in An Expanding Field”, The Ursan Gallery, Bennington College, Bennington, VT, cur. by Saul Ostrow
“Alice's Looking Glass”, Apex Art, New York, NY, curated by Mary Beyt. (cat.)
“Without Frontiers”, Museo Alejandro Otero, Caracas, Venezuela, curated by Miguel Miguel.(cat.)
1995 “Outside Painting”, curated by Terrie Sultan, (Winter 1995-1996) (cat.), ”The Corcoran Biennial Exhibition: …..Painting”, The Corcoran Museum of Art, Washington, D.C “Unveiled Painting”, Kunstraum, Vienna, Austria, curated by Klaus Dieter Zimmer and organized by Markus Bruderlin
“Art at The Edge: Tampering: Artists and Abstraction Today”, The High Museum, Atlanta, GA
curated by Susan Krane, (brochure).
“Malerei”, (with Callum Inness), Busche Gallery, Berlin, Germany
“Transatlantica”, Museo Alejandro Otero, Caracas, Venezuela (cat.)
“The Adventure of Painting”, The Kunstverein, Düsseldorf and the Kunstverein Stuttgart, organized by Martin Hentschel and Raimund Stecker. (cat.)
“Mesotica”, Museo de Arte e Diseno Contemporaneo, San Jose, Costa Rica
“Pittura – Immedia”, Neue Galerie/Landesmuseum Joanneum, Graz, Austria, curated by Peter Weibel. (cat.)
“Una Nuova Tradizione Americana”, Galleria Oddi Baglioni, Rome, Italy
“On Target”, Horodner Romley Gallery, New York, NY
“Outside You” (with Gregory Crewdson and Charles Long, Baumgartener Gallery, Washington, D.C. (cat.)
”The Mutated Painting”, Galerie Martina Detterer, Frankfurt, Germany
“Architecture of The Mind”, Galerie Barbara Farber, Amsterdam, Netherlands, curated by David Moos (cat.)
“New York Abstract”, Contemporary Arts Center, New Orleans, LA (cat.)
1995 “The Corcoran Biennial Exhibition: …..Painting”, The Corcoran Museum of Art, Washington, D.C.
“Outside Painting”, curated by Terrie Sultan, (Winter 1995-1996) (cat.)
“Unveiled Painting”, Kunstraum, Vienna, Austria, curated by Klaus Dieter Zimmer and organized by Markus Bruderlin
“Artists and Abstraction Today”, The High Museum, Atlanta, GA
“Art at The Edge: Tampering”, curated by Susan Krane, (brochure).
“Malerei”, Busche Gallery, Berlin, Germany, (with Callum Inness)
“Transatlantica”, Museo Alejandro Otero, Caracas, Venezuela, (cat.)
“The Adventure of Painting”, The Kunstverein, Düsseldorf and the Kunstverein Stuttgart, organized by Martin Hentschel and Raimund Stecker (cat.)
”Mesotica”, Museo de Arte e Diseno Contemporaneo, San Jose, Costa Rica
“Pittura – Immedia”, Neue Galerie/Landesmuseum Joanneum, Graz, Austri, curated by Peter Weibel (cat.)
“Una Nuova Tradizione Americana”, Galleria Oddi Baglioni, Rome, Italy
“On Target”, Horodner Romley Gallery, New York, NY
“Outside You” (with Gregory Crewdson and Charles Long), Baumgartener Gallery, Washington, D.C. (cat.)
“The Mutated Painting”, Galerie Martina Detterer, Frankfurt, Germany
“Architecture of The Mind”, Galerie Barbara Farber, Amsterdam, Netherlands, curated by David Moos (cat.)
“New York Abstract”, Contemporary Arts Center, New Orleans, LA, (cat.)
1994 “Envisioning The Familiar”, Zilkha Gallery, Wesleyan University, Middletown, CT, (brochure)
“De-Pop”, Connecticut College, New London, CT, curated by Sandra Antelo-Suarez
“On Paper”, Schmidt Contemporary Art, St. Louis, MO
“Painting Language”, L.A. Louver, Los Angeles, CA
“Drawings: Lasker, Marcaccio, Nozkowski, Stephan”, Bravin Post Lee, New York, NY
“Benefit Exhibition”, Museum of Contemporary Art, Los Angeles, CA
Cleveland Center for Contemporary Art, Cleveland, OH
“Fractured Seduction”, Artifact Gallery, Tel Aviv, Israel, curated by Maia Damianovic (cat.)
“The Brushstroke and its Guises”, New York Studio School, New York, NY, curated by Rosemarie Erp (brochure)
Galerie Nacht St. Stephan, Vienna, Austria: “Conditional Painting”
“Reveillon”, Stux Gallery, New York, NY
“Possible Things”, Bardamu Gallery, New York, NY, curated by Vik Muniz
:“Meta-Material”Plasma, Sagaponack, New York, NY
1993 “New Museum Benefit”, New Museum, New York, NY
“Tool Box”, curated by Anthony Ianacci, Studio la Città, Verona, Italy (cat.)
“Teddy and Other Stories”, curated by Luca Beatrice and Cristiana Perrella (cat.), Claudio Bottello Arte, Turin, Italy; Galleria in Arco, Turin, Italy
“Jours tranquilles à Clichy”, Paris/New York curated by Alain Kirili
“Needlepoint, Embroidery, Macrame, and Crochet”, Postmasters, New York, NY, (cat.)
Sala Comunale Palazzo Costanzi, Trieste, Italy; Lattuada Studio, Milan, Italy
“The Post-Dialectical Index”, Horodner Romley Gallery, New York, NY, curated by Robert
Morgan & Maria Compitelli (cat.)
“Irony & Ecstasy”, Salama-Caro Gallery, London.UK, curated by Klaus Ottman (cat.)
“Plötzlich Ist Eine Zeit Hereingebrochen, In Der Alles Möglich Sein Sollte” (All of A Sudden A Time Has Come Where Everything Should Be Possible), curated by Udo Kittelmann Kunstverein, Ludwigsburg, Germany
“Painting in The 90's” (brochure), Ruth Bloom Gallery, Los Angeles, CA,
Galeria Namia Mondolfi, Caracas, Venezuela (cat.)
“Group Show”, Baumgartner Gallery, Washington, D.C.
1992 “Niente Nuovo”, Studio La Città, Verona, Italy, curated by Anthony Iannacci (cat.)
“Slow Art”, curated by Alana Heiss, P.S.1 Contemporary Art Center, Long Island City, NY
“A New American Flag”, Protetch Gallery, New York, NY
“Kinder Macht Neues!”, Galerie Rolf Ricke, Cologne, Germany(cat.)
“Group Show”, Arena Gallery, New York, NY
“Theoretically Yours”, The Museum of Aosta, Aosta, Italy (cat.)
“Contextures/Constructures”, curated by Jonathan Seliger (broch.)Rubinstein/Diacono, New York, NY
“Who's Afraid of Duchamp, Minimalism and Passport Photography”, curated by Collins & Milazzo Annina Nosei Gallery, New York, NY
“Erwartung”, curated by Carlos Basualdo Municipal Museum, Rosario, Argentina
“Cultural Fabrication” John Good Gallery, New York, NY
“Recent Abstract Painting”, Schmidt Contemporary, St. Louis, MO
“Off Balance”Jason Rubell Gallery, Palm Beach, Fl
“How it Is”, curated by Jonathan Seliger, Shafrazi Gallery, New York, NY
1991 New Era Space, New York, NY, curated by Collins & Milazzo
“Ornament: Ho Hum All Ye Faithful”, John Post Lee, New York, NY
Althea Viafora Gallery, New York, NY
“Invitational”, Stux Gallery, New York, NY
Jacob Karpio Gallery, San Jose, Costa Rica (cat.)
1990 International Biennial of Paper Art, Hoesch Museum, Duren, Germany
“Paradigma 80's-90's”, Jacob Karpio Gallery, San Jose, Costa Rica
1989 “Invitational”, Stux Gallery, New York, NY
“Ideas and Images From Argentina”, Bronx Museum, New York, NY (cat.)
“Translations”, Castle Naudary, France
1988 Bronx Museum, New York, NY (cat.)
“Crisallis”, Center for The Arts, Rochester, New York, NY
“Sei Incisori”, Palazzo Bounaccorsi, Italy
“Jornadas de la Critica”, Spineto Center, Buenos Aires, Argentina
“San Telmo Foundation”, Buenos Aires, Argentina
BIBLIOGRAPHY
2011 “Kunstlerwettbewerb: Dokumentation” Kolner Verkehrs-Betriebe AG, Koln, Germany
Fabian Marcaccio: The Structural Canvas Paintants” Catalog for George Kolbe Museum, Bernhard Heileger Award for Sculpture, Berlin, Germany.
“Black Hole $ Paintant,” Art Journal, winter 2010, p. 48. Magazine art piece, curated by Katy Siegel.
Barbeito, Pedro and Patricia F. Barbeito, “Vitreous Humor, or Abstraction Fleshed Out,” Art Pulse, Spring 2011, p. 26-29.
Van den Valentyn, Heike, ed “Radical Shift. Political and Social Upheaval in Argentinian Art since the 1960s,” Catalog, for Museum Morsbroich, Leverkusen, Germany
2010 “The Open Mind: Celebrating 10 Years at the Kunstmuseum Liechtenstein” Friedeman Malsch.
2009 Godrey, Tony Painting Today Phaidon Press, London England.
2008 Meyer-stoll, Christiane ed. Sammlung Rolf Ricke/Rolf Ricke Collection Kunstmuseum Liechtenstein, Liechtenstein.
Rappolt, Mark, ed. Greg Lynn: Form Rizzoli, NY
2007 Puntos de Vista, Museum Bochum, Germany.
Moscow Biennal of Contempoary Art Art Star Books, Moscow, Russia.
Laudanno, Claudio “The complexity incarnated in Fabian Marcaccio’s Paintants” Arte al Dia, #120 August/September
2006 Baul, Kelly and Annette Di Meo Carlozzi eds.American Art Since 1900 Blanton Museum of Art, Univ. of Texas, Austin..
Enwezor, Okwui The Unhomely: Phantom Scenes in Global Society 2nd Intl. Biennial of Contemporary Art of Seville, Spain.
Vergne, Jean-Charles, vous etes ici Fonds Regional d’Arte Contemporain, Auvergne, France. . ard Press Eds, Lenox, MA. .
Public Image: Painting the City, Fundament Foundation, Tilburg, Germany.
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The Hours: Visual Art of Contemporary Latin America Irish Museum of Modern Art, Dublin Ireland.
Olivares, Rosa ed. 100 Latin American Artists Exit Publicaciones: Madrid, Spain
2005 Vergne, Jean-Michel, Paintant Archeology, FRAC Auvergne Clermont-Ferrand, France, Ausstellungskatalog
Meyer-Stoll, Christiane; Panera Cuevas, Javier, From Altered Paintings to Paintants, Kunstmuseum Liechtenstein, Liechtenstein; DA 2, Domus Artium 2002, Salamanca, Spain, Ausstellungskatalog
Lopez Anaya, Jorg Arte Argentino: Cuatro Siglos de Historia 1600-2000 Emece Editores: Buenos Aires, Argentina.
2004 Marcaccio, Fabian; Meyer-Stoll, Christiane, 661 Conjectures For a New Paint Management, 1989-2004, Kunstmuseum Liechtenstein, Liechtenstein, Ausstellungskatalog
Monica Amor, “Preview: Fabian Marcaccio , Kunstmuseum Liechtenstein,” in: Artforum, September, p. 128
Siegel, Katy, Art Works: Money, Thames & Hudson, NY.
2003 Lynn, Greg, Intricacy, ICA Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA; Yale University Art Gallery, New Haven, CT, Ausstellungskatalog
Princenthal, Nancy Art in America, “Fabian Marcaccio: Paintant’s Progress”, Jan.; pp.62-65, 119 Heingartner, Douglas, "Fabian Marcaccio", Frieze, Ausgabe / Issue 79, Nov-Dec, pp.100-101
Siegel, Katy, "Fabian Marcaccio: Talks about Confine Paintant, 2003", in: Artforum, Nov, pp.150-151
2002 Vitamin P, New Perspectives in Painting, project editor Valerie Breuvart, published by Phaidon Press Limited; pp. 202-205
Eleey, Peter Frieze, “Painting Report, PS1 Contemporary Art Center, NY” Nov-Dec.; pp.105-106
unsigned Flash Art, “Focus Painting Part II, Contemporary Painting Today” Nov.-Dec.; p.86
Smith, Roberta The New York Times, “Cracking the Same Mold With Different Results” 15 Nov. p.E38
Holmes, A.M. Vanity Fair, “Brush With Destiny”, September, p. 186
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Robinson, Walter. www.artnet.com, “Weekend Update”, 23 July
Levin, Kim. The Village Voice, “The CNN Documenta”, 9 July; p.57
Galloway, David. International Herald Tribune, “The Silence is Broken in Kassel”, 15-16 June; p.6
Schwarze, Dirk. Sonntags Zeit (Germany), “Rau: Besuch der documenta lohnt sich”, 9 June (front page)
Perez, Luis Francisco. Lapiz, Fabian Marcaccio, Junen Molina, Angela. El Pais, “Trementina y dolor”, 18 May
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Volk, Gregory. Art in America, “Report from Istanbul”, March, pp.42-45, 47
Moreno, Gean. Flash Art, "Reviews: Fabian Marcaccio at Kevin Bruk", Jan.-Feb., p.97
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2001 Klein, Lee. NYArts,"No I[n]stant[t]bulshit: Lee Klein @ the Turkish "Bienal" Part One", Nov, pp.31-33
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Koerver, Jens Peter. Kölner Stadt Anzeiger, "Review: Kölnischer Kunstverein", 28-29 April; p.39
Von Uschi, Baetz. Kölnische Rundschau, "Grellbuntes Geflecht drängt nach draussen", 27 April
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2000 Wagner, Thomas. Frankfurter Allgemeine Zeitung, "Eine Malerei des Paradoxons:..(review), 14 Nov, p.60
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Glueck, Grace. The New York Times, "Six Abstract Artists at the Millennium", 18 Feb.
Thorston, Alice The Kansas City Star, "Painter Fabian Marcaccio: Beyond the Brush", 13 Feb.
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unsigned. Art on Paper, “The Big Print”, January-February, p.24
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“Escultura Y Memoria” Unversidad de Buenos Aires, Argentina.
1999 Carlos Basualdo, " Cream", Essay, Phaidon, London
Elizabeth Haglund, "Unprivelaged Space", Essay, exhibition catalog
Raphael Rubenstein, "Unprivelaged Space", Essay, exhibition catalog
1998 Reinaldo Laddaga, " Con-jecto Argentina", Essay, exhibition catalog
Carlos Basualdo, "Con-jecto Argentina", Essay, exhibition catalog
Saul Anton, "Inform at Bravin Post Lee." art/text, March 1998
Ines Katzenstein, "Anatomia de la Pintura", Elle, March 1998
"Eine Arena der schrillen Synthesen", Kolner Stadt-Anzeiger, June 1998
Eva Grinstein, "Un heterogeneo conjunto de obras", El Cronista, March 1998
Enrique Juncosa, "La Pintura Teorica de Marcaccio", April 1998
Angela Molina, "Marcaccio no es Masaccio", ABC Cataluna, April 1998
Marin Medina, "Fabian Marcaccio, Pintura en Expansion", ABC de las Artes, April 1998
Ricardo Barnatan, "Salir del Gueto", El Mundo, April 1998
Fabian Lebenglik, "Las Mutaciones de la Pintura", March 199
1997 Raphael Rubenstein, "Le sens plastique de la peinture", Essay, Pratiques Abstraites, College International de Philosophie
Christine Buci-Glucksman, "Vers une post- abstraction?", Essay, Pratiques Abstraites.
College International de Philosophie
Carlos Basualdo, "Tiendas de Guerra", Art Nexus - April/June #24.
Raphael Rubenstein, "Abstraction out of Bounds", Art in America - Nov. #11.
Barry Schwabsky, Catalogue Essay, "New York", Gallery F15, Jeloy, Norway
Eleonora Traficante, Catalogue Essay, "De Visiones y De Ritmos", Rosario, Argentina.
Raphael Rubenstein, "Quatre Modulations", Book Essay, Peintures Croisees, L'Harmattan, Paris
Howard Risatti. "Fabian Marcaccio at Baumgartner Galleries", ArtForum, Summer 1997
Roberta Smith, "In-Form at Bravin Post Lee Gallery", The New York Times, July 1997
Roberta Smith, "More Spacious and Gracious, Yet Still Funky At Heart", The New York Times, October 1997
Janet Wilson, "Fabian Marcaccio at Baumgartner", ARTnews, June 1997
David Moos, Catalogue Essay, "Theories of the Decorative: Abstraction and Ornament in Contemporary Painting", Royal Botanic garden, Edinburgh, Scotland, UK
Andrew Benjiman, Book Essay, What is Abstractions, Academy Editions, London, UK
Saul Ostrow, Catalogue Essay, "More Part to the Whole: Revised and Reformed", After the Fall,, Snug Harbor Cultural Center, Staten Island, New York.
Howard Risatti, Review, "Paintants", Baumgartner Galleries Inc., ArtForum #10
Maia Damianovic, "La Pittura oltre i Confini", Tema Celeste March - April #61
Eleanor Moretta, Brochure, "Photographism in Painting", Pratt Manhatten Gallery, New York.
1996 Smith, Roberta, Review, "Painting Outside Painting" Corcoran Gallery, The New York Times.
Jhim Lamoree, Review, Barbara Farber, Flash Art - #191 Nov., Amsterdam, Netherlands
Abigail Easman, Review, Barbara Farber, Art Nexus # 22
Saul Ostrow, Review, "Painting Outside Painting" Corcoran Gallery, The New Art Examiner, March
Milazzo, Richard, "The New York Art Scene", Tema Celeste # 56
Damianovic, Maia, Art Presse, No. 211, March, "On The Horns of A Dilemma"
Risatti, Howard, Art Forum, review of Outside Painting" The Corcoran Gallery
Cristine Temin, review of "Face to Face", MIT List Art Center, The Boston Globe May 7
Mary Sherman, review of "Face to Face", MIT List Art Center, The Boston Herald, April 28
Shawn Hill, "Driven to abstraction", review of "Face to Face", The Tab, April 23-29
Jeremy Gilbert-Rolfe, Cabbages, Raspberries, and Video's Thin Brightness,
Painting in the Age of Artificial Intelligence, Art & Design, # 48
David Moos Architecture of the Mind, Machine Intelligence and Abstract Painting, Art & design, # 48
1995 Damianovic, Maia, Tema Celeste, No. 55 Winter, Page 44-49, "Image Without Family
Trans Arts.Cultures.Media, Artist's Project, Page 17-24 and back cover. Premier Issue.
Pagel, David, "Paradox Adds Strength to `Paint-Zone'", Los Angeles Times, Thursday, November 9. Page F-4
Benjamin, Andrew, "Fabian Marcaccio: Rehearsing Complex Painting", Journal of
Philosophy and The Visual Arts, Issue #6, Page 45
Damianovic, Maia, "Add-venture," Journal of Philosophy and Visual Arts
Rubinstein, Raphael, "On Target", Art in America, May
Karcher, Eva, "Malerie - Ein Pardoxes Netzwerk, Art, May. Page 67
Caminos, Ximena, "Fabian Marcaccio. La Pintura Como Espacio Teorico", ArtINF, Spring, 1995, Page 15
1994 Carrier, David, "Fine Young Cannibal: Fabian Marcaccio," Art Forum, September, Page 84
Levine, Angela, "Abstract From America," The Jerusalem Post
Rubinstein, Raphael, "Private Eyes," Art News, February, Page 89
Rubinstein, Raphael, "Abstraction In A Changing Environment; An Interview with Fabian Marcaccio", Art In America, October, Pg. 102
Moos, David, "What you can do for Pop to What Pop Can do For You," Art & Text, January #47, page 42
Sheffi, Smadar, "Promisaary Notes," review, Ha'aretz Daily
Hofleitner, Johanna, "Conditional Painting," Flash Art, May/June, Page 123
Saltz, Jerry, "A Year in The Life: Tropic of Painting", Art In America, Oct., Page 99
Jorge Glusberg, "Marcaccio Aataca 'el absurdo del discurso racionalista'", Ambito Financiero February. Page 2
1993 Ebony, David, Review, Art in America, October. Page 136
Drolet, Owen, Flash Art, review, June. Page 86
Schwabsky, Barry, Review, Artforum, Summer. Page 109
Smith, Roberta, Review, The New York Times, March 19.
Curto, Guido. "Teddy and Other Stories at Claudio Botello and In Arco Turin", Flash Art, (Italian Edition), April
Kottman, Pieter. "Marcaccio laat delen Schilderj Ontsnappen" NRC Handelsblad, May 25.
Lamoree, Jhim. "Beheerste Rampen", Kunst Genot, May 28. Page 86
Kahn, Eve. "The Next Generation", Art & Auction, April
Mercuri, Bernardo. "Teddy and Other Stories", Tema Celeste Page 75
The New Yorker ,"Goings on About Town" March 29.
Pinchback, Daniel. "Openings", Art & Antiques, March
Fleming, Lee., "Summer show at Baumgartner", The Washington Post, August 7.
McWilliams, Martha, "Signifying Something", Washington City Paper
Ianacci, Anthony, "Tool Box", Segno, May/June, Page 54
1992 Adams, Brook. "Slow Art at P.S.1", Art in America, October
Kaneda, Shirley. "Profiles and Positions: An Interview with Fabian Marcaccio", Bomb Magazine, Fall. Page 12
Mahoney, Robert. "Fabian Marcaccio and Daniel Wiener", Arts Mag., April. Page 92
Tager, Alisa. "Fabian Marcaccio and Daniel Wiener", Tema Celeste, Spring. April/May, #35 Page 93
Rubinstein, Meyer Raphael "Fabian Marcaccio and Daniel Wiener", Flash Art, Summer.
Morsiani, Paola. "New York", Juliet, April-May
Smith, Roberta. "Group Show", The New York Times, June 26.
The New Yorker, "Goings on About Town", August 3.
Kolner Stadt-Unzeiger, "Tips und Termine", June 12.
Collins & Milazzo. "Fabian Marcaccio: A Talk with Collins & Milazzo (Doubletalk)", Tema Celeste, Fall. #32/33 Page 93
Compitelli, Maria. "The Post-Dialectical Index", Sala Comunale Palazzo Costanzi, Trieste, Italy; Lattuada Studio, Milan, Italy; Horodner Romley Gallery, New York. .(cat.)
Hirsch, Faye. Book Reviews, Print Collector's News Letter, review of John Post Lee Volume 2
SELECTED CATALOGUES
Vergne, Jean-Charles, “Fabian Marcaccio – Paintant Archeology”, FRAC Auvergne, Clermont-Ferrand 2005
Meyer-Stoll, Christiane; Panera Cuevas, Javier, "From Altered Paintings to Paintants", Kunstmuseum Liechtenstein, Liechtenstein; DA 2, Domus Artium 2002, Salamanca, Spain, Ausstellungskatalog 2004
Marcaccio, Fabian; Meyer-Stoll, Christiane, "661 Conjectures For a New Paint Management, 1989-2004", Kunstmuseum Liechtenstein, Liechtenstein, Ausstellungskatalog 2004
Lynn, Greg, "Intricacy", ICA Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA; Yale University Art Gallery, New Haven, CT, Ausstellungskatalog 2003
Goetz, Ingvild and Meyer-Stoll, Christiane, “Fabian Marcaccio, Jessica Stockholder”, Sammlung Goetz, Munich 1998
Damianovic, Maia, "Transformal", Wiener Secession, Vienna 1996.
Beyt, Mary, "Alice's Looking Glass", Apex Art, New York 1996.
Krane, Susan, "Tampering", The High Museum of Art, Atlanta, GA (brochure) 1995.
Moos, David, "Architecture of The Mind", Galerie Barbara Farber, (exhibition curated by David Moos, Afterword by Philip David Zelazo, May 1995.
Moos, David, "Outside You", Baumgartner Gallery, Washington, D.C. 1995
Damianovic, Maia, "Fractured Seduction," Artifact Gallery, Israel 1994.
Beatrice, L. and Perrella, C., "Teddy and Other Stories", Claudio Bottello Arte & Galleria In Arco, Turin, Italy 1993.
Collins & Milazzo, "Needlepoint, Embroidery, Macrame and Crochet," Postmasters Gallery, New York, NY 1993.
Iannacci, Anthony, "Toolbox", Studio La Citta, Verona, Italy 1993.
Ottman, Klaus, "Irony & Ecstasy", Salama-Caro Gallery, London 1993.
Schwabsky, Barry, "Fabian Marcaccio", Barbara Farber Gallery, Amsterdam 1993.
Paparoni, Demetrio, "Italia-America: L'astrazione Ridefinita", Galeria Nazionale d'Arte Moderna, San Masini, Italy 1993.
Collins & Milazzo, "Theoretically Yours", Museum of the Region of Aosta, Italy 1992.
Rubell, Jason, "Inter-Painting", Jason Rubell Gallery, Palm Beach, Florida 1992.
Rubinstein, Meyer Raphael, "The Altered Genetics of Painting", John Post Lee Gallery Publication Volume 2. 1992
Morgan, Robert, "The Post Dialectical Index", Sala Comunale Palazzo Costanzi, Trieste, Italy, Lattuada Studio,
Milan, Horodner Romley Gallery, NY 1992
Laddaga, Reinaldo, Fabian Marcaccio, Jacob Karpio Gallery, Costa Rica
AWARDS/GRANTS
2011 Bernhard Heiliger Award for Sculpture given by the Georg-Kolbe-Museum, Berlin, Germany.
2006 Percent for Art Purchase, Circulation Paintant, University of Akron Student Affairs Building, Akron, OH.
2001 Project grant for collaboration with architect Greg Lynn, Predator, Wexner Center, Columbus, OH.
1985 First Prize, Premio Esso de Pintura y Dibujo, Fondacion Esso, Buenos Aires, Argentina
COLLECTIONS
Esso Foundation, Argentina
Fondacional Arche, Argentina
Whitney Museum of American Art, New York, NY
MOMA, New York, NY
Margulies Collection, New York, NY
Museo de Arte Contemporáneo de Rosario (MACRo), Rosario, Argentina
MADC Museo de Arte y Diseño Contemporáneo, San José, Puerto Rico
Sammlung Goetz, Munich, Germany
Collezione Maramotti, Reggio Emilia, Italy
Kunstmuseum Liechtenstein, Vaduz, Lichtenstein
Galleria D’Arte Moderna e Contemporanea San Marino, San Marino
Daros Latinamerica, Zurich. Switzerland
Proje4L/Elgiz Museum of Contemporary Art, Istanbul, Turkey
Blanton Museum of Art, Austin, TX
MIT List Visual Arts Center, Cambridge, MA
MAM - Miami Art Museum, Miami, FL
Daum Museum of Contemporary Art, Sedalia, MO
Philadelphia Museum of Art, Philadelphia, PA
Museum für Moderne Kunst (MMK), Frankfurt/Main, Germany
Museo de Arte Moderno, Buenos Aires, Argentina
Fondacion La Caixa, Barcelona, Spain
Boras Konstmusem, Boras, Sweden
High Museum, Atlanta
Kunstmuseen Krefeld Museum, Krefeld
