Jimenez - Colon Collection
Marcel Dzama
Joyce's NeptuneMarcel Dzama
Untitled
Dzama, Marcel
Marcel Dzama

Born 1974 in Winnipeg, Canada. Lives and works in Brooklyn.

EDUCATION

B.F.A., University of Manitoba, Winnipeg, Canada

SOLO EXHIBITIONS

2011 Jockum Nordström and Marcel Dzama, Galleri Magnus Karlsson, Stockholm [two-person
exhibition]
Marcel Dzama: The Never Known into the Forgotten, Kunstverein Braunschweig, Germany
[catalogue forthcoming]
Marcel Dzama: A Game of Chess, Gemeentemuseum, The Hague, The Netherlands
Marcel Dzama: Behind Every Curtain, David Zwirner, New York [catalogue]
2010 Marcel Dzama: Aux mille tours/Of Many Turns, Musée d’Art Contemporain de Montréal
[catalogue]
Marcel Dzama: Delila’s Dance, Galeria Helga de Alvear, Madrid
2009 Marcel Dzama: The Infidels, Sies + Höke, Düsseldorf [catalogue]
2008 Edition 46- Marcel Dzama, Pinakothek der Moderne, Munich [special publication by Süddeutsche
Zeitung Magazin]
Even the Ghost of the Past, David Zwirner, New York [catalogue]
Marcel Dzama, Oficina para Proyectos de Arte, Guadalajara, Mexico
2007 Celluloid Ceremony, Galleri Magnus Karlsson, Stockholm
Moving Picture, Timothy Taylor Gallery, London [catalogue]
2006 Conversations 2: Marcel Dzama & Alice Shaw, San Francisco Arts Commission Gallery [twoperson
exhibition]
Marcel Dzama, The Richard L. Nelson Gallery & Fine Art Collection, University of California,
Davis, California
Marcel Dzama, Sies + Höke, Düsseldorf [catalogue published in 2007]
Marcel Dzama: Works on Paper, Greg Kucera Gallery, Seattle
Tree With Roots, Ikon Gallery, Birmingham, England [itinerary: Centre for Contemporary Arts,
Glasgow] [catalogue]
2005 The Course of Human History Personified, David Zwirner, New York [catalogue]
The Lotus Eaters, Centre d’Art Santa Mònica, Barcelona [itinerary: Le Magasin - Centre National
d’Art Contemporain de Grenoble, France]
2004 The Albatross Note, Galleri Magnus Karlsson, Stockholm
Bears in My Room: Works on Paper by Marcel Dzama, Second Street Gallery, Charlottesville,
Virginia
The Last Winter, Timothy Taylor Gallery, London [catalogue]
Marcel Dzama, Christophe Daviet-Thery Livres et Editions d’Artistes, Paris
Marcel Dzama, Olga Korper Gallery, Toronto
Marcel Dzama, Sies + Höke, Düsseldorf [catalogue]
Marcel Dzama, Susan Inglett Gallery, New York
2003 Daily Apocalypse: One Drawing by Two Artists, Perugi Artecontemporanea, Padua, Italy
[catalogue]
Drawings by Marcel Dzama: From the Bernardi Collection, Art Gallery of Windsor, Canada
[catalogue]
Marcel Dzama & Jockum Nordström, David Zwirner, New York [two-person exhibition]
Marcel Dzama: New Work, Richard Heller Gallery, Santa Monica, California
Marcel Dzama: Welcome to Winnipeg, Rizziero Arte, Pescara, Italy [catalogue published in 2004]
2002 Drawings for Dante, Timothy Taylor Gallery, London [catalogue]
Marcel Dzama, Diehl Vorderwuelbecke, Berlin
Marcel Dzama, Galleria No Code, Bologna, Italy
Marcel Dzama, Greg Kucera Gallery, Seattle
Marcel Dzama, Monica De Cardenas Galleria, Milan
Marcel Dzama, Olga Korper Gallery, Toronto
Marcel Dzama, Richard Heller Gallery, Santa Monica, California
Marcel Dzama, Sies + Höke, Düsseldorf [catalogue]
Marcel Dzama: New Drawings, Galleri Magnus Karlsson, Stockholm
2000 Marcel Dzama, David Zwirner, New York
Marcel Dzama, Sies + Höke, Düsseldorf
Zeichnungen + Video, Diehl Vorderwuelbecke, Berlin
1999 Marcel Dzama, Casa Triângulo, São Paulo
Marcel Dzama, Espaço Produções, Rio de Janeiro
Marcel Dzama, Greene Gallery, Geneva
Marcel Dzama, Richard Heller Gallery, Santa Monica, California
More Famous Drawings, Plug In Institute of Contemporary Art, Winnipeg, Canada [itinerary:
Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver;
Mendel Art Gallery, Saskatoon, Canada; Olga Korper Gallery, Toronto; Saidye
Bronfman Centre for the Arts, Montreal; Agnes Etherington Art Centre, Queen’s
University, Kingston, Canada; Art Gallery of Calgary, Canada; Susan Whitney Gallery,
Regina, Canada; Laforet Harajuku Museum, Tokyo] [catalogue]
1998 Marcel Dzama, Art Forum Berlin
Marcel Dzama, Artpace San Antonio, Texas
Marcel Dzama, Casa Triângulo, São Paulo
Marcel Dzama, David Zwirner, New York
Marcel Dzama, Espaço Purplex, Capacete Entretenimentos, Rio de Janeiro
Marcel Dzama, Richard Heller Gallery, Santa Monica, California
1997 Marcel Dzama, Richard Heller Gallery, Santa Monica, California

SELECTED GROUP EXHIBITIONS

2011 All Cannibals!, la maison rouge, Paris [itinerary: me Collectors Room, Berlin] [catalogue
forthcoming]
Everything Must Go, Casey Kaplan, New York
Fairy Tales, Monsters and the Genetic Imagination, Frist Center for the Visual Arts, Nashville,
Tennessee [catalogue forthcoming]
From the Collection: Unreal, Vancouver Art Gallery
My Winnipeg, la maison rouge, Paris [itinerary: Musée International des Arts Modestes, Sète
France; Plug In Institute for Contemporary Art, Winnipeg, Canada] [catalogue]
Oceanomania: Souvenirs of Mysterious Seas, Nouveau Musée National de Monaco [catalogue
forthcoming]
Painting Between the Lines, CCA Wattis Institute for Contemporary Arts, San Francisco
A Paper Trail, Cultuurcentrum de Werft, Geel Belgium [catalogue forthcoming]
A Prairie Snapshot, National Arts Centre, Ottawa, Canada
Taking Sides, Paddle8.com [online exhibition]
2010 Cue: Artists’ Videos, Vancouver Art Gallery
The Fate of Irony, KAI 10 Raum für Kunst, Düsseldorf [catalogue]
Human Condition: Empathy and Emancipation in Precarious Times, Universalmuseum
Joanneum/Kunsthaus Graz, Austria [catalogue]
Krieg/Individuum, Ausstellungshalle zeitgenössische Kunst Münster, Germany [catalogue]
Larger Than Life – Stranger Than Fiction: 11. Triennale Kleinplastik 2010, Fellbach, Germany
[catalogue]
Monster, West Vancouver Museum
New Narrative, Heskin Contemporary, New York
Thanks for Being With Us: Contemporary Art from the Douglas Nielsen Collection, Tucson
Museum of Art, Arizona [exhibition publication]
Today Is Yesterday Tomorrow/Idag Är Igår Imorgon, Galleri Magnus Karlsson, Stockholm
2009 Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings
Collection, The Museum of Modern Art, New York [catalogue]
Mi Vida. From Heaven to Hell: Life Experiences in Art from the MUSAC Collection, Mücsarnok
Kunsthalle, Budapest
Mind the Cracks! Collages from the Museum and from other collections, Tel Aviv Museum of Art
Moby Dick, CCA Wattis Institute for Contemporary Arts, San Francisco [catalogue]
Private Universes, Dallas Museum of Art
Sobey Art Award 2009, Art Gallery of Nova Scotia, Halifax, Canada [exhibition publication]
Wonderland: Through the Looking Glass, Kunsthal in Amersfoort, The Netherlands
Jardín Botánico Culiacán, Mexico [catalogue]
2008 The Gallery, David Zwirner, New York
New Releases and Then Some, Electric Works, San Francisco
Order, Desire, Light, Irish Museum of Modern Art, Dublin [catalogue]
The Other Mainstream II: Selections from the Mikki and Stanley Weithorn Collection, Arizona
State University Art Museum, Tempe [catalogue]
The Royal Art Lodge: Learned Helplessness, Pippy Houldsworth, London
Summer Show, Timothy Taylor Gallery, London
The Voting Booth Project, David Zwirner, New York
Winter Water Color Land, Samuel Freeman, Santa Monica, California
Wunderkammer: A Century of Curiosities, The Museum of Modern Art, New York
2007 5 rencontres d’artistes, Christophe Daviet-Thery, Paris
COMIX, Kunsthallen Brandts, Odense, Denmark [catalogue]
Cult Fiction, The New Art Gallery, Walsall, England [itinerary: Nottingham Castle, England;
Leeds City Art Gallery, England; Aberystwyth Art Gallery, Wales; Tullie House,
Carlisle, England] [catalogue]
Existencias, Museo de Arte Contemporáneo de Castilla y León, Spain [catalogue]
Hinter den Sieben Bergen, Patricia Low Contemporary, Gstaad, Switzerland
Paper Baglady and Other Stories, Timothy Taylor Gallery, London
The Royal Art Lodge - Where is Here?, Winnipeg Art Lodge, Canada
Running Around the Pool, Florida State University Museum of Fine Arts, Tallahassee [catalogue]
The Storytellers, Pilar Parra & Romero, Madrid
The Teardrop Explodes, Stadtgalerie Schwaz, Austria
Traum und Trauma/Dream and Trauma: Works from the Dakis Joannou Collection, Athens,
Kunsthalle Wien and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
[catalogue]
Yäq, La Planta, Arte Contemporáneo Omnilife, Guadalajara, Mexico
2006 Bestiary, Richard Heller Gallery, Santa Monica, California
The Compulsive Line: Etching 1900 to Now, The Museum of Modern Art, New York
Down By Law: Day for Night, 2006 Whitney Biennial, Whitney Museum of American Art, New
York [exhibition publication]
Full House - Faces of a Collection, Kunsthalle Mannheim, Germany
Into Me/Out of Me, P.S.1 Contemporary Art Center, Long Island City, New York [itinerary: KW
Berlin Institute for Contemporary Art; Museo d’Arte Contemporanea di Roma, Rome]
[catalogue published in 2007]
Los Caprichos (the sleep of reason produces monsters), Rizziero Arte, Pescara, Italy
New Prints 2006, International Print Center New York
Parallel Visions II: “Outsider” and “Insider” Art Today, Galerie St. Etienne, New York
Peer Pleasure 1: The Royal Art Lodge, Space 1026 and Instant Coffee, Yerba Buena Center for
the Arts, San Francisco
Since 2000: Printmaking Now, The Museum of Modern Art, New York
2005 Always Crashing in the Same Car, Galleri Susanne Ottesen, Copenhagen
Dear New Girl or whatever your name is, Jack Hanley Gallery, San Francisco [catalogue]
Drawing Narrative, College of Wooster Art Museum, Ohio
Eccentric Modern, The Foundation To-Life Inc., Mount Kisco, New York
Everywhere, Mendenhall Sobieski Gallery, Pasadena, California
The Gallery, Galleri Magnus Karlsson, Stockholm
Kinderszenen/Child’s Play, Rohkunstbau XII, Wasserschloss Gross Leuthen, Spreewald, Germany
Le Mélange des Genres: Créatures Hybrides et Mystérieuses, Musée des Beaux-Arts de Rouen,
France
Max Ernst and the Tradition of the Modern, Städtische Kunsthalle Mannheim, Germany
New Work/New Acquisitions, The Museum of Modern Art, New York
The Other Mainstream: Selections from the Mikki and Stanley Weithorn Collection, Arizona State
University Art Museum, Tempe [catalogue]
Pensieri dei serpenti by The Royal Art Lodge, Perugi Artecontemporanea, Padua, Italy [catalogue]
Prague Biennale: A Second Sight, National Gallery, Prague
The Royal Art Lodge: Serpentine Musings, Douglas Hyde Gallery, Dublin [catalogue]
The Royal Art Lodge: Venetian Works at Caffé Florian, Caffé Florian, Venice [catalogue]
Security Check: Painting After Romanticism, Arndt & Partner, Zürich [catalogue]
Surface, Lucas Schoormans Gallery, New York
Take Two. Worlds and Views: Contemporary Art from the Collection, The Museum of Modern
Art, New York
Tres o Cuatro Historias, Galería Helga de Alvear, Madrid
The Wonderful Fund on Tour, Le Musée de Marrakech, Morocco
Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea
Rosen Gallery, New York
2004 À Fripon, fripon et demi, pour une École Buissonnière, Collection Lambert en Avignon, France
Bande annonce, Véronique de Bellefroid & Bernard Prévot, Brussels
Dessins et des autres, Galerie Anne de Villepoix, Paris
Diaries & Dreams: Arbeiten auf Papier, Ursula Blickle Stiftung, Kraichtal, Germany [catalogue]
Die ungeschriebene Nachkriegsgeschichte der Zeichnung, Galerie Hübner, Frankfurt [catalogue]
Funny Cuts: Cartoons and Comics in Contemporary Art, Staatsgalerie Stuttgart [catalogue
published in 2005]
Huts, Douglas Hyde Gallery, Dublin [catalogue]
It’s a Wonderful Life: Psychodrama in Contemporary Painting, Spaces, Cleveland, Ohio
[exhibition brochure]
Nieva Negro at the Photo España 2004: Historias, Madrid [catalogue]
Paradiso e Inferno, Galleria di Piazza San Marco, Venice
Perfil de una coleção, Instituto Cultural Usiminas, Ipatinga, Brazil [catalogue]
The Royal Art Lodge: Hypothermia, Atelier Gallery, Vancouver
The Royal Art Lodge: Pride in Workmanship, The Houldsworth Gallery, London
The Royal Family, Richard Heller Gallery, Santa Monica, California [catalogue]
Sobey Art Award 2004, Art Gallery of Nova Scotia, Halifax, Canada
Strips & Characters, Kunstraum München, Munich [itinerary: Kunstverein Wolfsburg, Germany]
[exhibition brochure]
Works on Paper, Sprüth Magers Projekte, Munich
2003 Comic Release: Negotiating Identity for a New Generation, Regina Gouger Miller Gallery at
Carnegie Mellon University, Pittsburgh [itinerary: The Center for Contemporary Art,
New Orleans; University of North Texas Gallery, Denton; Western Washington
University Gallery, Bellingham] [catalogue published in 2002]
For the Record: Drawing Contemporary Life, Vancouver Art Gallery [catalogue]
The Great Drawing Show 1550-2003, Michael Kohn Gallery, Los Angeles
MosaiCanada: Sign and Sound, Seoul Museum of Art
Odd Fellows, Pennsylvania Academy of the Fine Arts, Philadelphia
Rendered, Sara Meltzer Gallery, New York
The Royal Art Lodge: Ask the Dust, The Drawing Center, New York [itinerary: The Power Plant,
Toronto; De Vleeshal and De Kabinetten van De Vleeshal, Middleburg, The Netherlands;
Seoul Museum of Art; Elaine L. Jacob Gallery, Wayne State University, Detroit;
Museum of Contemporary Art, Los Angeles] [catalogue]
Sweet Tooth, Mixture Contemporary Art, Houston, Texas
Zwischenbilanz, Kunstforum Baloise, Basel
2002 47th Biennial Exhibition: Fantasy Underfoot, Corcoran Gallery of Art, Washington, D.C.
[catalogue]
Art in the ‘Toon Age: Selections from the Collection, Kresge Art Museum, Michigan State
University, East Lansing [exhibition publication]
Expect: Art, The What to Expect Foundation, New York [catalogue]
Fantasyland, D’Amelio Terras, New York
La Biennale de Montréal 2002, Montreal
One Thousand Words, John Michael Kohler Arts Center, Sheboygan, Wisconsin
Short Stories, Winnipeg Art Gallery, Canada [catalogue]
2001 Amused: Humor in Contemporary Art, Carrie Secrist Gallery, Chicago [catalogue]
Artpile: The Royal Art Lodge, Atelier Gallery, Vancouver
The Good, the Bad and the Ugly: A Spaghetti Western, Museum of Contemporary Art, Denver,
Colorado [catalogue]
I ♥ NY, David Zwirner, New York
In Fumo, Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy [catalogue]
Paperview, Galería Espacio Mínimo, Madrid [exhibition brochure]
Read All about it, Greg Kucera Gallery, Seattle
The Royal Art Lodge, Perugi Artecontemporanea, Padua, Italy [catalogue]
The Royal Art Lodge: Amounts of Blood, Artcore, Toronto
W5: Five Winnipeg Artists Spanning Five Generations, Art Gallery of Southwestern Manitoba,
Brandon, Canada [catalogue]
Ziviler Ungehorsam: Die Sammlung Falckenberg, Kestner Gesellschaft, Hannover [catalogue]
2000 Babylon, Galerie Philomene Magers, Munich
Canada 3 Perspectives: Dzama, Séguin, Varey, Artcore, Toronto [itinerary: Fondazione Bevilaqua
la Masa, Venice] [catalogue]
Double Whammy, Atelier Gallery, Vancouver
Dr. Wings, Galerie Air de Paris, Paris
The Drawing Show, Lizbeth Oliveria Gallery, San Francisco
Drawings 2000, Gladstone Gallery, New York [catalogue]
Fall Survey, Douglas Udell Gallery, Vancouver and Edmonton, Canada
Garage Video, Plug In Institute of Contemporary Art, Winnipeg, Canada [itinerary: North Dakota
Museum of Art, Grand Forks]
The Royal Art Lodge Drawings, Helen Pitt Gallery, Vancouver
The Royal Art Lodge Presents, Atelier Gallery, Vancouver
Selections from The Manilow Collection, Museum of Contemporary Art Chicago
Selections from the Permanent Collection, Vancouver Art Gallery
1999 Castelli di Carte, Claudia Gian Ferrari Arte Contemporanea, Milan
Contemporary American Realist Drawings, the Jalane and Richard Davidson Collection, The Art
Institute of Chicago
Draw, Ten in One Gallery, Chicago
Greetings from Winnipeg, Minneapolis College of Art & Design, Minnesota [catalogue published
in 2000]
Sit(E)ings: Trajectories for a Future, Winnipeg Art Gallery, Canada [catalogue]
1998 For the Birds, Geoffrey Young Gallery, Great Barrington, Massachusetts [catalogue]
Laughing, Plug In Institute of Contemporary Art, Winnipeg, Canada
Selections Spring ’98, The Drawing Center, New York
1997 Art for Healing, Walker Theatre, Winnipeg, Canada
Fresh Popped, Plug In Institute of Contemporary Art and Anti-Chamber, Winnipeg, Canada
Gallery 1.1.1., Gallery 1.1.1., University of Manitoba, Winnipeg, Canada
New Fun Video Show #7, Espaço Purplex, São Paulo
The Royal Art Lodge, Small Projects Gallery, University of Houston, Texas
Wood Inc., Off-Ice Gallery, University of Manitoba, Winnipeg, Canada
Richard Heller Gallery, Santa Monica, California
1996 Fite Gallery, Winnipeg, Canada
MONOGRAPHS, SOLO EXHIBITION CATALOGUES, & SPECIAL PUBLICATIONS
2011 Marcel Dzama. Kunstverein Braunschweig, Germany (exh. cat.) [forthcoming]
Marcel Dzama: Behind Every Curtain. David Zwirner, New York (exh. cat.)
2010 Marcel Dzama: Aux mille tours/Of Many Turns. Text by Mark Lanctôt. Musée d’art contemporain
de Montréal (exh. cat.)
2009 Marcel Dzama: The Infidels. Sies + Höke, Düsseldorf and Druck Verlag Kettler, Bönen, Germany
(exh. cat.)
2008 Edition 46 - Marcel Dzama. Text by Cameron Shaw. Interview with the artist by Julia Decker and
Holger Liebs. Süddeutsche Zeitung Magazin (November 14, 2008) [special publication
for the exhibition Edition 46- Marcel Dzama, Pinakothek der Moderne, Munich]
Marcel Dzama: The Berliner Ensemble Thanks You All. McSweeney’s Books, San Francisco
Marcel Dzama: Even the Ghost of the Past. Text by Cameron Shaw. Interview with the artist by
Spike Jonze. David Zwirner, New York and Steidl, Göttingen, Germany (exh. cat.)
2007 333: Marcel Dzama. Nieves, Zürich [limited edition zine]
Marcel Dzama. Interview with the artist by Lars Bang Larsen. Sies + Höke, Düsseldorf (exh. cat.)
Marcel Dzama: Moving Picture. Interview with the artist by Julien Bismuth. Timothy Taylor
Gallery, London (exh. cat.)
2006 Marcel Dzama: Tree With Roots. Interview with the artist by Carter Foster. Ikon Gallery,
Birmingham, England (exh. cat.)
2005 The Course of Human History Personified: Marcel Dzama. Texts by Jason Rosenfeld and Jason
Tougaw. David Zwirner, New York (exh. cat.)
2004 Marcel Dzama: The Last Winter. Text by Marcel Dzama. Timothy Taylor Gallery, London (exh.
cat.)
Marcel Dzama: Paintings and Drawings. Text by Catrin Lorch. Verlag der Buchhandlung
Walther König, Cologne and Sies + Höke, Düsseldorf (exh. cat.)
Marcel Dzama: Welcome to Winnipeg. Text by Marcel Dzama. Rizziero Arte, Pescara, Italy (exh.
cat.)
2003 Drawings by Marcel Dzama: From the Bernardi Collection. Texts by Wayne Baerwaldt and
James Patten. Art Gallery of Windsor, Canada (exh. cat.)
Marcel Dzama: The Berlin Years. Texts by Viggo Mortensen and Sarah Vowell. McSweeney’s
Books, San Francisco
Marcel Dzama and Neil Farber: Daily Apocalypse. Text by Daniela Lotta. Perugi
Artecontemporanea, Padua, Italy (exh. cat.)
2002 Marcel Dzama. Sies + Höke, Düsseldorf (exh. cat.)
Marcel Dzama: Drawings for Dante. Text by Marcel Dzama. Timothy Taylor Gallery, London
(exh. cat.)
1999 Marcel Dzama: More Famous Drawings. Text by Wayne Baerwaldt. Plug In Editions, Winnipeg,
Canada (exh. cat.)
1998 Famous Drawings Presents Marcel Dzama. Text by Wayne Baerwaldt. Smart Art Press, Santa
Monica, California

SELECTED BOOKS & GROUP EXHIBITION CATALOGUES

2011 All Cannibals! me Collectors Room, Berlin (exh. cat.) [forthcoming]
Art works. Deutsche Bank Collection Group Head Office, Frankfurt. Passion to Perform. Texts by
Josef Ackermann, Okwui Enwezor, Alistair Hicks, Friedhelm Hütte, et al. Deutsche Bank
AG, Frankfurt
Contemporary Art in North America. Black Dog Publishing, London [forthcoming]
Fairy Tales, Monsters, and the Genetic Imagination. Frist Center for the Visual Arts, Nashville,
Tennessee (exh. cat.) [forthcoming]
My Winnipeg. Texts by Robert Enright, Noam Gonick et al. Fage Éditions, Lyon (exh. cat.)
Oceanomania: Souvenirs of Mysterious Seas. Texts by Sarina Basta, Graham Burnett, Mark Dion,
and Ursula Harter. Nouveau Musée National de Monaco and MACK Books, London
(exh. cat.) [forthcoming]
Opposition and Sister Squares Reconciled. Edited by Gerhard Theewen. Salon Verlag, Cologne
A Paper Trail. Text by Niels Van Tomme. Cultuurcentrum de Werft, Geel Belgium (exh. cat.)
[forthcoming]
2010 Between the Lines: Volume 2. RxArt, Inc., New York
The Fate of Irony. Texts by Zdenek Felix, Jörg Heiser, Sarah Khan, Ursula Panhans-Bühler,
Ludwig Seyfarth, Olav Westphalen, and Gregory Williams. Kerber Verlag, Bielefeld,
Germany (exh. cat.)
Human Condition: Empathy and Emancipation in Precarious Times. Texts by Adam Budak,
Judith Butler, Sophie Loidolt, Jeremy Rifkin, et al. Verlag der Buchhandlung Walther
König, Cologne (exh. cat.)
Krieg/Individuum. Texts by Susanne Düchting, Linda Hentschel, and Julia Wirxel. Revolver,
Berlin (exh. cat.)
Larger Than Life – Stranger Than Fiction: 11. Triennale Kleinplastik 2010. Texts by Ulrike
Groos, George Imdahl, Heinz-Norbert Jocks, and Heike van den Valentyn. Snoeck
Verlagsgesellschaft, Cologne (exh. cat.)
Marcel Duchamp: Étant donnés. Text by Julian Jason Haladyn. Afterall, London
Thanks for Being With Us: Contemporary Art from the Douglas Nielsen Collection. Tucson
Museum of Art, Arizona (exh. pub.)
Who is sleeping on my pillow: Mamma Andersson/Jockum Nordström. Texts by Stig Claesson,
Paolo Colombo, and Anders Krüger. Interview between Marcel Dzama and Jockum
Nordström. David Zwirner, New York
2009 Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings
Collection. Texts by Cornelia Butler, Gary Garrels, Christian Rattemeyer, and Harvey
Shipley Miller. The Museum of Modern Art, New York (exh. cat.)
Henry Darger. Edited by Klaus Biesenbach. Texts by Brooke Davis Anderson, Michael
Bonesteel, and Carl Watson. Prestel, New York
Marcel Duchamp: Étant donnés. Edited by Michael R. Taylor. Texts by Scott Homolka, Andrew
Lins, Melissa S. Meighan, Beth A. Price, Ken Sutherland, Michael R. Taylor, and Elena
Torok. Philadelphia Museum of Art
Moby Dick. Text by Jens Hoffmann. CCA Wattis Institute for Contemporary Arts, San Francisco
(exh. cat.)
Sobey Art Award 2009. Texts by Louise Déry, Terry Graff, Ivan Jurakic, Kitty Scott, and Liz
Wylie. Art Gallery of Nova Scotia, Halifax, Canada (exh. pub.)
Sound & Vision. Texts by Alberto Campo and Luca Beatrice. Damiani, Bologna, Italy
Jardín Botánico Culiacán, Mexico (exh. cat.)
2008 Order. Desire. Light. Contemporary Drawing. Texts by Paolo Colombo, Enrique Juncosa, and
Catherine Lampert. Irish Museum of Modern Art, Dublin (exh. cat.)
The Other Mainstream II: Selections from the Mikki and Stanley Weithorn Collection. Text by
Derek Conrad Murray. Arizona State University Art Museum, Tempe (exh. cat.)
Things I’ve Learned From Women Who’ve Dumped Me. Edited by Ben Karlin. Grand Central
Publishing, New York
Wozzeck. Text by Alban Berg. Bayerische Staatsoper, Munich
2007 COMIX. Kunsthallen Brandts, Odense, Denmark (exh. cat.)
Cult Fiction: Art and Comics. Texts by Oriana Fox, Paul Gravett, Helen Luckett, Emma Mahony,
et al. Hayward Gallery Publishing, London (exh. cat.)
Dream and Trauma. Works from the Dakis Joannou Collection, Athens. Texts by Elisabeth
Bronfen, Edelbert Köb, Gerald Matt, Hilary Rubenstein Hatch, and Angela Stief.
Kunsthalle Wien, Vienna and Hatje Cantz Verlag, Ostfildern, Germany (exh. cat.)
Existencias. Text by Rafael Doctor. Museo de Arte Contemporáneo de Castilla y León, Spain
(exh. cat.)
GET LOST: Artists Map Downtown New York. Edited by Massimiliano Gioni. New Museum,
New York
Glyndebourne Opera Festival. Text by Jane Neal. Glyndebourne Opera, East Sussex, England
Into Me/Out of Me. Edited by Klaus Biesenbach. Hatje Cantz Verlag, Ostfildern, Germany (exh. cat.)
Opera National de Paris, Saison 2007-2008. Opera National de Paris
Revisionaries: A Decade of Art in Tokion. Abrams Image, New York
Running Around the Pool. Text by Craig Adcock. Florida State University Museum of Fine Arts,
Tallahassee (exh. cat.)
2006 Down by Law: Day for Night, Whitney Biennial 2006. Wrong Gallery, New York (exh. pub.)
Most Wanted: The Olbricht Collection. Edited by Axel Heil and Wolfgang Schoppmann. Text by
Jean Christophe Ammann. Verlag der Buchhandlung Walther König, Cologne
Painting People: Figure Painting Today. Text by Charlotte Mullins. Distributed Art Publishers,
Inc., New York
2005 Armpit of the Mole. Fundació Trenta Quilòmetres Per Segon, Barcelona
Central Station: Collection Harald Falckenberg. Text by Laurence Dreyfus. la maison rouge,
Paris and Fage Editions, Lyon
Dear New Girl or whatever your name is. McSweeney’s Books, San Francisco (exh. cat.)
Funny Cuts: Cartoons and Comics in Contemporary Art. Texts by Kassandra Nakas, Ulrich Pfarr,
and Andreas Schalhorn. Kerber Verlag, Bielefeld, Germany (exh. cat.)
The Other Mainstream: Selections from the Mikki and Stanley Weithorn Collection. Arizona State
University Art Museum, Tempe (exh. cat.)
Pensieri dei serpenti by The Royal Art Lodge. Text by Guido Bartorelli. Perugi
Artecontemporanea, Padua, Italy (exh. cat.)
The Royal Art Lodge: Venetian Works at Caffé Florian. Caffé Florian, Venice (exh. cat.)
Security Check: Painting After Romanticism. Texts by Silke Hohmann, Florian Illies, and Amélie
von Heydebreck. Arndt & Partner Zürich (exh. cat.)
Serpentine Musings. Text by Ali Davey. Douglas Hyde Gallery, Dublin (exh. cat.)
Vitamin D. Text by Emma Dexter. Phaidon Press, London
2004 Diaries & Dreams: Arbeiten auf Papier. Ursula Blickle Stiftung, Kraichtal, Germany (exh. cat.)
Die ungeschriebene Nachkriegsgeschichte der Zeichnung. Galerie Hübner, Frankfurt (exh. cat.)
Huts. Texts by Michael Hinds and John Hutchinson. Douglas Hyde Gallery, Dublin (exh. cat.)
It’s a Wonderful Life: Psychodrama in Contemporary Painting. Spaces, Cleveland, Ohio (exh.
bro.)
MUSAC: Colección. Text by Rafael Doctor Roncero. Museo de Arte Contemporáneo de Castilla y
León, Spain
Perfil de una coleção. Text by Bruce Chatwin. Instituto Cultural Usiminas, Ipatinga, Brazil (exh.
cat.)
Photo España 2004: Historias. PHE04 International Festival of Photography, Madrid (exh. cat.)
The Royal Family. Richard Heller Gallery, Santa Monica, California (exh. cat.)
Strips & Characters. Kunstraum München, Munich and Kunstverein Wolfsburg, Germany (exh.
bro.)
2003 Animal Appeal: Uno Studio Sul Teriomorfismo. Texts by Karin Andersen and Roberto Marchesini.
Hybris S.r.1., Bologna, Italy
For the Record: Drawing Contemporary Life. Text by Daina Augaitis. Vancouver Art Gallery
(exh. cat.)
The Royal Art Lodge: Ask the Dust. Text by Wayne Baerwaldt, Lytle Shaw, and Joseph R. Wolin.
The Drawing Center, New York (exh. cat.)
2002 47th Biennial Exhibition: Fantasy Underfoot. Texts by Jonathan P. Binstock, Billy Collins, Adam
Lerner, and Stacey Schmidt. Corcoran Gallery of Art, Washington, D.C. (exh. cat.)
Art in the ‘Toon Age: Selections from the Collection. Text by April Kingsley. Kresge Art
Museum, Michigan State University, East Lansing (exh. pub.)
Comic Release: Negotiating Identity for a New Generation. Texts by Barbara Bloemink, Vicky
Clark, Ana Merino, et al. Distributed Art Publishers, Inc., New York (exh. cat.)
Expect: Art. The What to Expect Foundation, New York (exh. cat.)
Short Stories. Text by James Patten. Winnipeg Art Gallery, Canada (exh. cat.)
2001 Amused: Humor in Contemporary Art. Carrie Secrist Gallery, Chicago (exh. cat.)
The Good, the Bad and the Ugly: A Spaghetti Western. Museum of Contemporary Art, Denver,
Colorado (exh. cat.)
In Fumo. Texts by Mariuccia Casadio, Stefano Casciani, Giacinto di Pietrantonio, and Cloe
Piccoli. Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy (exh. cat.)
Paperview. Galería Espacio Mínimo, Madrid (exh. bro.)
The Royal Art Lodge. Text by Guido Bartorelli. Perugi Artecontemporanea, Padua, Italy (exh. cat.)
W5: Five Winnipeg Artists Spanning Five Generations. Text by Chris Reid. Art Gallery of
Southwestern Manitoba, Brandon, Canada (exh. cat.)
Ziviler Ungehorsam: Die Sammlung Falckenberg. Edited by Carsten Ahrens and Carl Haenlein.
Kestner Gesellschaft, Hannover (exh. cat.)
2000 Canada 3 Perspectives. Text by Gary Michael Dault. Artcore/Fabrice Marcolini, Toronto (exh.
cat.)
Drawings 2000. Text by Klaus Kertess. Barbara Gladstone Gallery, New York (exh. cat.)
Greetings from Winnipeg. Texts by Michael Dumontier, Marcel Dzama, Robert Enright, Neil
Farber, Simon Hughes, Jean Klimack, Drue Langlois, Doug Melynk, Kim Ouellette, and
Brian Szott. Minneapolis College of Art & Design, Minnesota (exh. cat.)
1999 Sit(E)ings: Trajectories for a Future. Texts by Libby Cardinelle, Cliff Eyland, Serena Keshavjee,
Vera Lemecha, Shirley Madill, and Rafael G. Moriana. Winnipeg Art Gallery, Canada
(exh. cat.)
1998 For the Birds. Geoffrey Young Gallery, Great Barrington, Massachusetts (exh. cat.)

SELECTED BIBLIOGRAPHY

2011 Buhmann, Stephanie. “The Orchestration of Emotions: Marcel Dzama at David Zwirner.”
artcritical.com (March 19, 2011) [ill.] [online]
Coggins, David. “Stranger Than Fiction: The Fantastic Worlds of Marcel Dzama.”
huffingtonpost.com (March 1, 2011) [ill.] [online]
Frankel, David. “Marcel Dzama at David Zwirner.” Artforum (April 2011): 284 [ill.]
Jovanovic, Rozalia. “Marcel Dzama: Behind Every Curtain.” flavorwire.com (February 18, 2011)
[ill.] [online]
Lindquist, Greg. “Marcel Dzama at David Zwirner.” ARTnews (April 2011): 114 [ill.]
Solís Horcasitas, Violeta. “Mitología Fantástica—Marcel Dzama.” Código 06140 (June-July
2011): 42-45 [ill.]
Sorenson, Oli. “Interview: Marcel Dzama.” m-kos.net (September 30, 2011) [ill.] [online]
Sutton, Benjamin. “Marcel Dzama’s New Short Film at David Zwirner Looks Epic.”
thelmagazine.com (February 16, 2011) [ill.] [online]
“20 Questions for Artist Marcel Dzama.” artinfo.com (March 8, 2011) [ill.] [online]
“Marcel Dzama Brings Chess and Mariachi to Chelsea.” nypress.com (February 16, 2011) [ill.]
[online]
2010 Beaupré, Marie-Eve. “Marie-Eve Beaupré’s Top 3: Quebec Quality.” canadianart.ca (December
23, 2010) [ill.] [online]
Callaghan, Lori. “Macabre exhibit boasts a trace of root beer.” The Gazette (March 13, 2010): E5
[ill.]
Crevier, Lyne. “Marcel Dzama: Monde À Part.” ET C (October/November/December/January
2010-2011): 53-54 [ill.]
Charron, Marie-Ève. “Les musées, entre ombre et lumière.” Le Devoir (January 17, 2010): E12-
E13 [ill.]
Delgado, Jérôme. “Ni blanc ni noir, juste Dzama.” Le Devoir (February 6-7, 2010): E1, E8 [ill.]
DeWolfe, Stacey. “Exhibition Cases.” Montreal Mirror (January 14-20, 2010): 4, 32 [cover] [ill.]
DeWolfe, Stacey. “Lasting Impressions.” montrealmirror.com (December 23, 2010) [ill.] [online]
DeWolfe, Stacey. “Marcel Dzama & Etienne Zack at the Musée d’art contemporain.” akimbo.ca
(February 17, 2010) [ill.] [online]
Dunlap, Thomas. “Marcel Dzama: Aux mille tours.” The Art Street Journal (2010): 16 [ill.]
Enright, Robert. “The Gallery of Ingenious Inventions: An Interview with Marcel Dzama.”
Border Crossings (May 2010): 24-41 [cover] [ill.]
LePage, Jocelyne. “Séduction, violence et perversion.” La Presse (February 6, 2010): 22 [ill.]
Mastropasqua, Luciana. “Marcel Dzama.” ARTnews (May 2010): 125 [ill.]
Mavrikakis, Nicolas. “Contes pour adultes.” Voir Montréal (February 11, 2010): 34 [ill.]
Medley, Mark. “Killing his darlings.” National Post (February 27, 2010): WP5 [ill.]
Milroy, Sarah. “A gentle bark, but a strong bite.” The Globe and Mail (April 3, 2010): R9 [ill.]
Tousignant, Isa. “Marcel Dzama: Thinking Bigger.” canadianart.ca (April 1, 2010) [ill.] [online]
Watson, Sasha. “The Twisted Mind of Marcel Dzama.” thedailybeast.com (March 11, 2010) [ill.]
[online]
Wullschlager, Jackie. “Energised by youthful chaos.” ft.com (Financial Times) (October 15, 2010)
[online]
“Frieze 2010: Marcel Dzama.” arrestedmotion.com (October 26, 2010) [ill.] [online]
“My Inspiration is…” Vogue Nippon no. 127 (March 2010): 256 [ill.]
2009 Allsop, Laura, Anna Rootes, and Skye Sherwin. “Consumed.” Art Review (January-February
2009): 38 [ill.]
Ashman, Angela. “Voice Choices: Rally Up.” Village Voice (March 18-24, 2009): 21, 31 [ill.]
Bates, Jacqueline. “Artist Marcel Dzama’s Stunning Book.” elle.com (August 5, 2009) [ill.]
[online]
Winistorfer, Andrew. “Five Artists Design Covers for N.A.S.A. Album.” prefixmag.com
(January 21, 2009) [online]
“Meet the Artist: An Extraordinary Day in the Life of Marcel Dzama.” Tate Shots no. 19 (January
2009) [online video]
2008 Braxton, Donari. “Material Interest: Marcel Dzama’s Ghost Stories.” men.style.com (November
17, 2008) [ill.] [online]
Daraktchieva, Iavora. “Spike Jonze and Marcel Dzama: Going Bump in the Night (Or at Least in
the Dark).” newyork.timeout.com (December 17, 2008) [ill.] [online]
DeNiro, Michael. “Even the Ghost of the Past.” nyartsmagazine.com (July-August 2008) [ill.]
[online]
Johnson, Paddy. “The Voting Booth Project.” huffingtonpost.com (October 20, 2008) [ill.] [online]
Koppel, Niko. “Voting Machines as Art.” The New York Times (October 14, 2008): C2 [ill.]
Liang, Ursula. “The Backstory: Hanging with an Art Handler.” tmagazine.blogs.nytimes.com
(March 23, 2008) [ill.] [online]
Palmerton, Elywn. “Marcel Dzama at David Zwirner.” Artillery (May/June 2008): 54 [ill.]
Rite, William. “Art Tonight: Marcel Dzama Signing.” interviewmagazine.com (December 11,
2008) [ill.] [online]
Schmidt, Jason. “Work in Progress: In The Name of the Father.” V (Summer 2008): 54-55 [ill.]
Scott, Andrea. “Goings On: Political Machine.” newyorker.com (October 14, 2008) [ill.] [online]
Thompson, MJ. “The Infinitude of Cool: Marcel Dzama’s Grave New World.” Border Crossings
27, no. 107 (August 2008): 92-101 [cover] [ill.]
Wolin, Joseph R. “The Haunting: Marcel Dzama’s Traumatic Fantasy Worlds.” Canadian Art
(Fall 2008): 94-100 [cover] [ill.]
Woodward, Richard B. “Dzama’s Dramas.” ARTnews (March 2008): 118-121 [ill.]
“2009 Resolutions.” The Wall Street Journal (December 27-28, 2008): W1-W2
“Marcel Dzama.” The New Yorker (March 31, 2008): 26
“Voting Becomes Art.” NBC Nightly News with Brian Williams (November 6, 2008) [television]
2007 Bienstock, Hal. “Geek Rock ‘Giants’ Continue Evolving.” AM New York (July 18, 2007): 14 [ill.]
Burshtein, Karen. “Strong and Three: Winnipeg’s Royal Art Lodge has Lost Members But Gained
Perspective.” The National Post (July 4, 2007)
Chávez, Brenda. “Arte Y Parte.” El País (October 7, 2007): 32-39 [ill.]
Chávez, Brenda. “Marcel Dzama: Siniestros Cuentos de Hadas.” El País (June 22, 2007): 24-25
[ill.]
Cripps, Charlotte. “Twilight Zone.” The Independent (April 11, 2007): 14 [ill.]
Davies, Lillian. “Picks: Marcel Dzama.” artforum.com (April 3, 2007) [ill.] [online]
Flansburgh, John. “Under The Cover With They Might Be Giants: Interview With Marcel
Dzama.” Paper Thin Walls (July 16, 2007) [ill.]
Gavin, Francesca. “Eat the Worm.” Wonderland (February/March 2007): 38-39 [ill.]
Ivan-Zadeh, Larushka. “Marcel Dzama.” Metro (March 13, 2007) [ill.]
Kröner, Magdalena. “Du Bist Nicht Allein.” Monopol (July 2007): 6, 12, 58-67 [cover] [ill.]
Rappolt, Mark. “Marcel Dzama: Bear Baiting, A Violent Zootopia.” Art Review (March 2007):
66-71 [ill.]
Rhein, Joel. “Distilled Broadcasting.” Latitude 53 (Spring 2007): 30-32 [ill.]
Sinclair, Charlotte. “Strange Days.” British Vogue (March 2007): 127 [ill.]
Sumpter, Helen. “Private View: Marcel Dzama.” Time Out London (March 14-20, 2007) [ill.]
“Kunststück! ‘Ohne Titel’ von Marcel Dzama.” Financial Times Deutschland (July 27, 2007): 6
[ill.]
“A Rose by Any Other Name: Art by Marcel Dzama.” Interview (February 2007): 186 [ill.]
2006 Anderson, Jack. “Portraits of artists as young people.” canada.com (August 9, 2006) [online]
Enright, Robert. “Return of the Crazy Gang.” Art Review (March 2006): 64-68
Fineman, Mia. “Looks Brilliant on Paper, But Who, Exactly, Is Going to Make It?” The New York
Times (May 7, 2006)
Gavin, Francesca. “Postmodern Fairy Tales at the Ikon Gallery.” Collective no. 211 (June 1, 2006)
[ill.]
Kaplan, Cheryl. “A Little Cold Blood: A Conversation Between Marcel Dzama and Cheryl
Kaplan.” DB ArtMag (2006): 20 [ill.]
Perez, Magdalene. “Dzama-Rama.” artinfo.com (March 30, 2006) [online]
Richard Janku, Laura. “Relational Aesthetics: Artist Groups and Their Groupies.” art US (May
June 2006): 42-45
Sheets, Hilary M. “The Big Draw.” ARTnews (January 2006): 98-103
Simms, Molly. “Bearly There.” BUST (April/May 2006): 16 [ill.]
Sischy, Ingrid. “The New New York School.” Vanity Fair (November 2006): 318-319 [ill.]
Skloot, Rebecca. “Taking the Least of You.” The New York Times Magazine (April 16, 2006): 4,
6, 38-45, 75 [ill.]
Smee, Sebastian. “A world of difference.” The Australian (June 13, 2006)
“2006 Men of the Year: Marcel Dzama, Winnipeg’s Art Royalty.” Toro (Winter 2006): 98 [ill.]
2005 Beatty, Emma and Gareth Harris. “What’s On: Mexico.” The Art Newspaper (June 2005): 25
Berwick, Carly. “Absolutely Fabulist.” ARTnews (October 2005): 158-161 [ill.]
Camps, Marta. “The Lotus Eaters.” Suite no. 55 (March 2005): 14
Cascade, Rebecca. “The Elle 25: Marcel Dzama, Art Boy Wonder.” Elle (September 2005): 326
Daniel, Noel. “Los Angeles: Richard Heller Gallery, The Royal Family.” Contemporary no. 70
(2005): 63
Dumoulin, Kate. “Hype Sample: Winnipeg Wunderkind.” Flare (September 2005): 70
duPont, Lauren. “View: Adventures in Shopping - Marcel Dzama Drawings.” Vogue (December
2005): 226
Dzama, Marcel. “Homeless.” zing magazine no. 20 (Winter 2005): 201-215 [ill.]
Dzama, Marcel. “Marcel Dzama on William Blake's ‘The Wood of the Self-Murderers: The
Harpies and the Suicide’ (1824-1827).” Tate Etc. (Autumn 2005): 111
Dzama, Marcel and Jockum Nordström. “Marcel Dzama and Jockum Nordström.” Tokion no. 47
(March/April 2005): 58-59 [ill.]
Espinosa, Guillermo. “Marcel Dzama.” Vanidad (February 2005): 68-71
Galloway, David. “Central Station.” ARTnews (February 2005)
Gell, Aaron. “Innocence and Experience: Marcel Dzama Comes in from the Cold.” Vanity Fair
(September 2005): 224
Kunitz, Daniel. “Meet the New Folk.” Art Review (April 2005): 44-45
Lasky, Julie. “Charms.” ID: International Design (December 2005): 100-101 [ill.]
LeMieux-Ruibal, Bruno. “Marcel Dzama: David Zwirner Gallery.” Flash Art
(November/December 2005): 89-90 [ill.]
Lett, Dan and Paul Samyn. “Manitoba’s Power 30.” Winnipeg Free Press (October 2, 2005)
Liss, David. “Canada: New Identities, New Territories.” arco no. 35 (Spring 2005): 23-26
Lubow, Arthur. “Beck at a Certain Age.” The New York Times Magazine (March 6, 2005): 44-49
Meno, Joe. “Marcel Dzama.” Punk Planet no. 70 (November/December 2005): 52-56 [ill.]
Montornés, Frederic. “Un Taxidermista Surgido del Frio.” Suite no. 31 (2005): 34-35
Neelon, Caleb. “The Royal Art Lodge.” Swindle (2005): 54-59 [ill.]
Neil, Jonathon T.D. “Marcel Dzama: The Course of Human History Personified.” Modern
Painters (November 2005): 106 [ill.]
Pareles, Jon. “Critic’s Choice: New CDs, ‘Guero’ Beck.” The New York Times (March 21, 2005):
E5 [ill.]
Rosen, Jamie. “Creature Discomfort.” W (December 2005): 56
Rosenberg, Karen. “An Evening in Chelsea.” New York Magazine (September 12, 2005): 156
Schwendener, Martha. “Marcel Dzama.” Time Out New York (September 22-28, 2005): 72
Solomon, Deborah. “Drawn to Trouble: Marcel Dzama’s Twisted Fairy-Tale World Comes to
Life.” The New York Times Magazine (September 4, 2005): 4, 42-45 [ill.]
Spears, Dorothy. “Dzama in New York.” Art on Paper (November/December 2005): 33-34 [ill.]
van der Kamp, Maarten. “De Ordening van de Wereld.” Mister Motley (Summer 2005): 8-17
Walker, Morley. “Beck Gives Dzama a Lift in New York Times Story.” The Winnipeg Free Press
(March 9, 2005)
Weiner, Emily. “Painting the Town: Christmas in July.” Time Out New York (July 21-27, 2005):
76
“Agenda: Marcel Dzama.” Amica (November 2005): 47 [ill.]
“Goings on About Town: Museum of Modern Art.” The New Yorker (September 19, 2005): 18
“Marcel Dzama.” The New Yorker (September 19, 2005): 23
“Personification.” The New York Sun (September 21, 2005): 9
“Presto Change-O: Creature Discomforts.” W (November 2005): 162
“The Preview Matrix.” New York Magazine (September 12, 2005): 118
“The Royal Art Lodge – Michael Dumontier, Marcel Dzama, and Neil Farber.” Uovo, N.
Drawings (2005): 9, 90-111 [ill.]
“The Royal Art Lodge.” Swindle no. 3 (2005): 54-59
2004 Barnard, Elissa. “Drawing of Familiar themes.” The Chronicle Herald (October 12, 2004): E3
Boudinot, Ryan. HOBART no. 4 (Winter 2004-2005) [ill.]
Dault, Julia. “A Bestiary Like No Other.” National Post (February 12, 2004): AL6
Gavin, Francesca. “Gang Leader.” ID: International Design no. 246 (November 2004): 48
Geddes, Stuart. “Exquisite Corpus: The Royal Art Lodge, Canada.” Monument no. 62
(August/September 2004): 94-95
Hackworth, Nick. “Bad Company.” Dazed & Confused 2, no. 19 (November 2004): 100-107 [ill.]
Karlsson, Magnus. “Marcel Dzama.” Ledmotiv no. 1 (2004): 38-45 [ill.]
Kim, Olivia. “King of Art: Marcel Dzama.” Tokion no. 40 (March/April 2004): 20-22 [ill.]
Leith, Anne. “Marcel Dzama, Jockum Nordström.” Modern Painters (Spring 2004): 129
McNally, Whitney. “Next Artist.” Details 22, no. 6 (April 2004): 172
Stern, Steven. “Marcel Dzama/Jockum Nordström.” Time Out New York (January 1-8, 2004): 53
T. P. “Marcel Dzama.” Exit Express no. 1 (February 2004): 10
Zembrowski, Sam. “Beaux Livres: Lonesome Creatures of a Worried World.” French Revue de
Modes (Autumn/Winter 2004-2005): 306-307 [ill.]
“From Sad Clown to Sun Face.” MOCA LA Magazine (December 2004-February 2005): 6 [ill.]
“Gift Guide: Marcel Dzama Action Figures.” Time Out New York (November 18-24, 2004)
“Marcel Dzama.” The New Yorker (December 12, 2004): 16
“Story Fragments: The New Year in Prints: The First Annual New Prints Review.” Art on Paper
(November/December 2004): 64-65 [ill.]
Black Book no. 34 (Fall 2004) [postcard insert]
Kid’s Wear no. 18 (Summer 2004): 104-109 [ill.]
2003 Barrows, David and Anthony L. Harvey. “At The Museums.” The InTowner (January 2003): 15
Darr, Jen. “Space Oddities.” Philadelphia City Paper (February 20-27, 2003): 17
Dixon, Glenn. “Fantastic Damage.” Washington City Paper (February 14-20, 2003)
Dunn, Melissa and Charles Gute. “The Royal Art Lodge: Ask the Dust.” Flash Art (March/April
2003): 55
Haddad, Natalie. “Without Boundaries.” Real Detroit Weekly (December 17-23, 2003): 18
Heller, Richard. “The Little People.” Art Review (May 2003): 54
Herbert, Martin. “Marcel Dzama at Timothy Taylor Gallery.” tema celeste (2003)
Lazarovic, Sarah. National Post (January 29, 2003)
Lovejoy, Bess. “Where the Wild Things Are.” Resonance no. 37 (2003): 12-13
Mar, Alex. “Misaki Kawai & The Royal Art Lodge.” New York Magazine (February 6, 2003)
Mays, John Bentley. “C’est La Vie.” Canadian Art (Spring 2003): 66-72
Pollack, Barbara. “The New Visionaries.” ARTnews (December 2003): 92-97 [ill.]
Sanderson, Anne. “Artist’s roots a great source of inspiration.” The Wadena News (October 30,
2003)
Saltz, Jerry. “Paper Trail: A Survey of Drawing on the Rise.” The Village Voice (January 29 -
February 4, 2003): 56
Seymour, Lori. “A Night at the Lodge.” Elm Street 7, no. 5 (April 2003): 24
Stern, Steven. “The Imaginative Faculty.” Time Out New York (February 13-20, 2003): 59
Trainor, James. “Winnipeg on the Hudson.” Border Crossings 22, no. 3 (August 2003): 36-47
Whyte, Murray. “Making Art Around the Hearth While Warding Off the Chill.” The New York
Times (January 19, 2003): 36
Wilson, Jill. “Prairie Renaissance.” Utne Arts Extra (2003): 40-41
Wilson, Michael. “The Royal Art Lodge.” Frieze (May 2003): 104
“The Bear Facts.” Border Crossings 22, no. 3 (August 2003): 11-12, 42
“Don’t Miss… Marcel Dzama, New Work.” Time Out New York (December 11-18, 2003): 57
“Marcel Dzama.” tema celeste no. 95 (January/February 2003): 97
“The Royal Art Lodge.” The New Yorker (February 10, 2003): 20
“The Royal Art Lodge.” zing magazine no. 18 (Winter/Spring 2003)
“Wanted: ‘Anonymous’ Canadian Art.” Toronto Star (January 19, 2003)
Ten by Ten 2, no. 2 (Winter/Spring 2003): 38-39 [ill.]
2002 Booth, Hannah. “Dark Horse.” Design Week (October 24, 2002)
Dahle, Sigrid. “Short Stories captivating, addictive exhibition.” Winnipeg Free Press (May 16,
2002)
Dzama, Marcel. “Marcel Dzama’s Winnipeg.” En Route Magazine (October 2002): 105
Edwards, Charlotte. “Canada Dry.” Art Review (November 2002): 41
Enright, Robert. “Canada: The Next Generation.” Time (October 14, 2002): 65
Enright, Robert. “Permission to dream is granted.” The Globe and Mail (November 2, 2002)
Gopnik, Blake. “A Familiar ‘Fantasy.’” The Washington Post (December 22, 2002)
Honigan, Ana Finel. “Fantasyland.” Time Out New York (June 20-27, 2002): 60
Kimmelman, Michael. “Fantasyland.” The New York Times (June 14, 2002): E38
Laurence, Robin. “The Royal Art Lodge.” Canadian Art (Spring 2002): 92-96
O’Sullivan, Michael. “The Corcoran Biennial: Dramatic License.” The Washington Post
(December 27, 2002): WE38
Scott, Michael. “Superb artistic collection.” Vancouver Sun (November 28 - December 5, 2002)
Shaw-Eagle, Joanna. “Breaking boundaries.” washingtontimes.com (December 21, 2002) [online]
Cabinet no. 9 (Winter 2002-2003): 95-98 [ill.]
Harper’s Magazine (June 2002): 22 [ill.]
2001 Borins, Daniel. “New Canadian Folk.” C: International Contemporary Art no. 72 (Winter
2001-2002): 13-16
Dzama, Marcel. “Top Ten.” Artforum (October 2001): 59
Farber, Neil. The New Yorker (July 23, 2001)
Ferm, Thomas. “Sex Fragor ’til Marcel Dzama.” Presens no. 1 (2001): 44
Hanna, Deirdre. “Drawing Power: Marcel Dzama.” Now 20, no. 25 (February 22-28, 2001)
Lacapola, Monica. “L’humor Nero di Marcel Dzama.” Zero + Arte (July 13, 2001)
Leffingwell, Edward. “Marcel Dzama at David Zwirner.” Art in America (February 2001): 144-
145
Maddin, Guy. “Best of 2001: Film” Artforum (December 2001): 27
Matthews, Kevin. “Marcel Dzama.” Agent (Fall 2001): 15
McEwen, Adam. “People are Strange. Adam McEwen on Marcel Dzama.” Frieze (May 2001): 66-
67
McSorley, Tom. “Short Takes: Film (Dzama).” Take One (December 2001): 54
Molinari, Guido. “Marcel Dzama.” Flash Art (August/September 2001)
Roenisch, Clint. “Marcel Dzama: More Famous Drawings.” dart International 4, no. 2 (Spring
2001): 16-17
Sommerman, Eileen. “Looking at Dzama.” Canadian Art (Summer 2001): 92
“Akvareller.” Lyrikvannen (May 2001): 20
“Art 2001. Top 10.” Now (December 27, 2001)
“Dzama, Fumetti Nobili.” La Republica (June 2001)
“Looking at Dzama.” Canadian Art (Summer 2001): 92
2000 Abbe, Mary. “Odd, Canada!” Star Tribune (January 21, 2000): 11-12
Butvin, Marnie. “Marcel Dzama: More Famous Drawings.” Artichoke (Fall/Winter 2000): 26-27
Dailey, Meghan. “Marcel Dzama: David Zwirner.” Artforum (November 2000)
Delgado, Jerome. “L’Univers Onirique de Marcel Dzama. ” La Presse Montreal (September 30,
2000): D16
Dault, Gary Michael. “A Little Too Good? No Way.” The Globe and Mail (February 12, 2000)
Eggers, Dave. “After Wham! Pow! Shazam!” Time (November 26, 2000): 10
Eggers, Dave. “Best of 2000.” Artforum (December 2000): 21
Errett, Ben. “The Silly, Sinister World of Marcel Dzama.” The McGill Daily (September 25,
2000): 8-9
Harnett, Shamona. “Hot New Artist.” Winnipeg Free Press (June 8, 2000): D5
Lehmann, Henry. “Odd Menagerie of Archetypes.” The Gazette Montreal (October 14, 2000): J6
Mavrikakis, Nicolas. “L’Enfance de l’art.” Voir (October 12-18, 2000): 62
McLeod, Dayna. “Ride’em Sea Monkey!” Hour (September 28 - October 4, 2000): 37
Olynyk, Justin. “Marcel Dzama, More Famous than Ever.” The Manitoban (June 28, 2000): 12
Shaw, Lytle. “Marcel Dzama and Jockum Nordström.” Time Out New York (October 5-12, 2000)
Smith, Roberta. “Marcel Dzama and Jockum Nordström.” The New York Times (September 29,
2000)
Vesuwalla, Peter. “Dali, Dzama.” Uptown (August 24, 2000): 9
“More Marcel.” Uptown (June 8, 2000): 12
1999 Barham, Scott. “Sit(E)ings is Amusing, Graceful.” Saturday Free Press Winnipeg (August 14,
1999): B4
Enright, Robert. “The Wizard of Odd.” Saturday Night (November 1999): 76-82
Pagel, David. “Darker Drawings.” Los Angeles Times (June 18, 1999): 24
Rosenberg, Jeremy. “Maple Leafs to Lone Rangers.” dart International (Spring/Summer 1999):
23
Shaw, Lytle. “Marcel Dzama and Jockum Nordström.” Time Out New York (October 5-12, 1999)
“Clothes Encounters.” V Magazine (November/December 1999)
“Untitled Drawings: Marcel Dzama.” zing magazine (Spring/Summer 1999)
1998 Enright, Robert. “Feature Portfolio.” Border Crossings (Summer 1998): 16-24
Enright, Robert. “Walking the Line.” The Globe and Mail Winnipeg (November 7, 1998)
Forgács, Éva. “Marcel Dzama.” Art Issues no. 52 (March/April 1998): 42
Harrison, Riva. “Artist Profile Feature.” Winnipeg Sun (September 29, 1998): 16-17
Ornelas, Rodolfo B. and Tom Reel. “On the Scene.” San Antonio Examiner (July 15, 1998)
Rockwell, Steve. “Marcel Dzama.” dart International (April/June 1998): 25
Scanlon, Molly. “Review.” NY Arts no. 21 (May 1998): 30
Smith, Roberta. “Marcel Dzama.” The New York Times (April 10, 1998): E39
Stevens, Andrea. “Marcel Dzama, Modern Renaissance Man.” Bleach Magazine (May 1998): 30-
35 [ill.]
Zinman, Greg. “Where the Wild Things Are.” Swing 4, no. 10 (November 1998): 33 [ill.]
“Dzamatizations: The Drawings of Marcel Dzama.” Border Crossings (July 1998): 36-41
“Filling in the Pieces of Dzama’s Drawings.” Los Angeles Times (January 16, 1998): 28
“Intercepts.” Lacanian Ink (Fall 1998): 120-126
“Marcel Dzama.” The New Yorker (April 13, 1998): 16
“Voice Choices.” The Village Voice (April 14, 1998): 70
Coagula Art Journal no. 32 (March/April 1998): 37
1997 Pagel, David. “Amiss and Lively.” Los Angeles Times (July 18, 1997): 24
ILLUSTRATED BOOKS
2005 Assassination Vacation. Text by Sarah Vowell. Simon & Schuster, New York
Poetry. Texts by Meghan O’Rourke, Phyllis Rose, and C.K. Williams. The Poetry Foundation,
Chicago [cover]
Ugly Feelings. Text by Sianne Ngai. Harvard University Press, Cambridge, Massachusetts
2004 Looking Forward to It. Text by Stephen Elliott. Picador Press, New York [cover]
2003 Bed Bed Bed. Text by They Might Be Giants. Simon & Schuster, New York
2002 The Broken Record Techniques. Text by Lee Henderson. Penguin Books, Toronto
Exit Strategy. Text by Douglas Rushkoff. Soft Skull Press, New York
Songbook. Text by Nick Hornby. McSweeney’s Books, San Francisco
2001 The Pharmacist’s Mate. Text by Amy Fusselman. McSweeney’s Books, San Francisco

MEDIA PROJECTS & FILM SCREENINGS

2011 Guadalajara International Film Festival, Mexico
POP Quarters - L'École des beaux-arts de Montréal, Montreal [film screening and symposium]
2009 No One Does It Like You, The Museum of Modern Art, New York [film screening of music video
for The Department of Eagles]
2006 The Lotus Eaters, Sad Ghost, and Radio Shorts, The Museum of Modern Art, New York [film
screening]
1996 Slideshow, Ace Art Gallery, Winnipeg, Canada

SPECIAL PROJECTS

2010 Animated teaser video for Arcade Fire live performance and CD release
2009 Music video art animation for “People Tree,” performed and recorded by David Byrne and
N.A.S.A.
Music video direction, costumes, and set design for “No One Does It Like You,” performed and
recorded by The Department of Eagles
2007 CD cover art for They Might Be Giants: The Else, performed and recorded by They Might Be
Giants
2006 Music video costume designs for “When the Deal Goes Down,” performed and recorded by Bob
Dylan
2005 CD cover art for Beck: Guero, performed and recorded by Beck
2002 CD and LP cover art for Albatross Note: I Love New York, performed and recorded by Albatross
Note
CD cover art for The Weakerthans: Reconstruction Site, performed and recorded by The
Weakerthans
2001 Overall design and back cover art for Bridge: Stories and Ideas 1, no. 3 (Fall/Winter 2001)

SELECTED AWARDS

2000 New Artist Award, Art Cologne
1997 Namta Award, University of Manitoba, Winnipeg, Canada
Watercolor Award, University of Manitoba, Winnipeg, Canada

SELECTED PUBLIC COLLECTIONS

Andy Warhol Foundation for the Visual Arts, New York
Bass Museum of Art, Miami
Corcoran Gallery of Art, Washington, D.C.
Dallas Museum of Art
Kresge Art Museum, Michigan State University, East Lansing
Musée d’art Contemporain de Montréal
Museo de Arte Contemporáneo de Castilla y León, Spain
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, North Miami
The Museum of Modern Art, New York
The Rhode Island School of Design Museum, Providence, Rhode Island
Solomon R. Guggenheim Museum, New York
Tate Modern, London
Vancouver Art Gallery
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